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in That mortal muscle wrings! Great Scott! It sounds so like a sell! Bee-stings for rheumatiz? As well try wasps to make one well. That TERC must be a quiz. Rather would I rheumatics bear Than try the Busy Bee. No, Austrian TERC, your cure _may_ work! But won't he tried on _me_! * * * * * [Illustration] "IL IRA LOIN."--Great day for England in general, and for London in particular, when AUGUSTUS GLOSSOP HARRIS,--the "Gloss-op"-portunely appears nothing without the gloss up-on him,--popularly known by the title of AUGUSTUS DRURIOLANUS, rode to the Embankment with his trumpeters,--it being _infra dig._ to be seen blowing one himself,--with his beautiful banners, and his footmen all in State liveries designed by LEWIS LE GRAND WINGFIELD, he himself (DRURIOLANUS, not LEWIS LE GRAND) being seated in his gorgeous new carriage; Sheriff FARMER, too, equally gorgeous, and equally new, but neither so grand nor so great as DRURIOLANUS The Magnificent. Then followed "the quaint ceremony of admission." Not "Free Admission," by any means, for no man can be a Sheriff of London for nothing. There were loud cheers, and a big Lunch. _Ave Caesar!_ * * * * * NOTICE.--Rejected Communications or Contributions, whether MS., Printed Matter, Drawings, or Pictures of any description, will in no case be returned, not even when accompanied by a Stamped and Addressed Envelope, Cover, or Wrapper. To this rule there will be no exception. * * * * * End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol. 99, October 4, 1890, by Various *** END OF THIS PROJECT GUTENBERG EBOOK PUNCH *** ***** This file should be named 12306.txt or 12306.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/2/3/0/12306/ Produced by Malcolm Farmer, Punch, or the London Charivari, William Flis, and the Online Distributed Proofreading Team. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part o
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