FREE BOOKS

Author's List




PREV.   NEXT  
|<   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37  
38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   >>   >|  
character of the construction--whether a steel-framed skyscraper or a wooden shanty. A line system, represented by columns and girders in the one case, and by studs and rafters in the other, becomes, by overlay or interposition, a system of planes, so assembled and correlated as to define a solid. With nearly everything of man's creating--be it a bureau or a battleship--the process is as above described. First, a pattern to scale; next, an actual linear framework; then planes defining a solid. Consider almost any of the industries practiced throughout the ages: they may be conceived of thus in terms of dimensions; for example, those ancient ones of weaving and basket making. _Lines_ (threads in the one case, rushes in the other) are wrought into _planes_ to clothe a body or to contain a burden. Or think, if you choose, of the modern industry of book-making, wherein types are assembled, impressed upon sheets of paper, and these bound into volumes-- _points, lines, planes, solids_. The book in turn becomes the unit of another dimensional order, in the library whose serried shelves form lines, which, combined into planes, define the lateral limits of the room. HIGHER--AND HIGHEST--SPACE These are truisms. What have they to do, it may be asked, with the idea of _higher_ spaces? They have everything to do with it, for in achieving the enclosure of any portion of solid space the limit of known dimensions has been reached without having come to any end. More dimensions--higher spaces--are required to account for higher things. All of the products of man's ingenuity are inanimate except as he himself animates them. They remain as they were made, machines, not organisms. They have no inherent life of their own, no power of growth and renewal. In this they differ from animate creation because the highest achievement of the creative faculty in man in a mechanical way lacks the life principle possessed by the plant. And as the most perfect machine is inferior in this respect to the humblest flower that grows, so is the highest product of the vegetable kingdom inferior to man himself, the maker of the machine; for he can reflect upon his own and the world's becoming, while the plant can only become. What is the reason for these differences of power and function? According to the Higher Space Hypothesis they are due to varying potencies of movement in the secret causeways and corridors of space. The higher functions of co
PREV.   NEXT  
|<   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37  
38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   >>   >|  



Top keywords:
planes
 
higher
 
dimensions
 
highest
 

inferior

 

machine

 

assembled

 

spaces

 

define

 

making


system

 

inherent

 

machines

 

organisms

 

remain

 

required

 

reached

 
achieving
 
enclosure
 

portion


products

 

ingenuity

 
inanimate
 

things

 

growth

 

account

 
animates
 

functions

 

corridors

 
causeways

vegetable

 
kingdom
 

reflect

 

secret

 
Hypothesis
 

varying

 

Higher

 

According

 

reason

 

differences


function

 
movement
 
product
 

achievement

 

creative

 

potencies

 

faculty

 

creation

 

animate

 
differ