l mood of a moment; but while the beauty of one merely saddens
and disheartens us, the beauty of the other inspires us with something of
the poet's own faith and hopefulness. In a word, Wordsworth found and
Shelley lost himself in nature.
JOHN KEATS (1795-1821)
Keats was not only the last but also the most perfect of the Romanticists.
While Scott was merely telling stories, and Wordsworth reforming poetry or
upholding the moral law, and Shelley advocating impossible reforms, and
Byron voicing his own egoism and the political discontent of the times,
Keats lived apart from men and from all political measures, worshiping
beauty like a devotee, perfectly content to write what was in his own
heart, or to reflect some splendor of the natural world as he saw or
dreamed it to be. He had, moreover, the novel idea that poetry exists for
its own sake, and suffers loss by being devoted to philosophy or politics
or, indeed, to any cause, however great or small. As he says in "Lamia":
... Do not all charms fly
At the mere touch of cold philosophy?
There was an awful rainbow once in heaven:
We know her woof, her texture; she is given
In the dull catalogue of common things.
Philosophy will clip an Angel's wings,
Conquer all mysteries by rule and line,
Empty the haunted air, and gnomed mine--
Unweave a rainbow, as it erewhile made
The tender-person'd Lamia melt into a shade.
Partly because of this high ideal of poetry, partly because he studied and
unconsciously imitated the Greek classics and the best works of the
Elizabethans, Keats's last little volume of poetry is unequaled by the work
of any of his contemporaries. When we remember that all his work was
published in three short years, from 1817 to 1820, and that he died when
only twenty-five years old, we must judge him to be the most promising
figure of the early nineteenth century, and one of the most remarkable in
the history of literature.
LIFE. Keats's life of devotion to beauty and to poetry is all the more
remarkable in view of his lowly origin. He was the son of a hostler and
stable keeper, and was born in the stable of the Swan and Hoop Inn, London,
in 1795. One has only to read the rough stable scenes from our first
novelists, or even from Dickens, to understand how little there was in such
an atmosphere to develop poetic gifts. Before Keats was fifteen years old
both parents died, and he was placed with hi
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