the dress-coat was
invisible; the two children, in the story below, seemed to be romping
about the room, under the superintendence of a nursery-maid. The
damask curtains of the drawing-room, on the first floor, were now fully
displayed, festooned gracefully from top to bottom of the windows,
which extended from the ceiling to the carpet. A narrower window, at
the left of the drawing-room, gave light to what was probably a small
boudoir, within which I caught the faintest imaginable glimpse of a
girl's figure, in airy drapery. Her arm was in regular movement, as if
she were busy with her German worsted, or some other such pretty and
unprofitable handiwork.

While intent upon making out this girlish shape, I became sensible that
a figure had appeared at one of the windows of the drawing-room. There
was a presentiment in my mind; or perhaps my first glance, imperfect
and sidelong as it was, had sufficed to convey subtile information of
the truth. At any rate, it was with no positive surprise, but as if I
had all along expected the incident, that, directing my eyes
thitherward, I beheld--like a full-length picture, in the space between
the heavy festoons of the window curtains--no other than Zenobia! At
the same instant, my thoughts made sure of the identity of the figure
in the boudoir. It could only be Priscilla.

Zenobia was attired, not in the almost rustic costume which she had
heretofore worn, but in a fashionable morning-dress. There was,
nevertheless, one familiar point. She had, as usual, a flower in her
hair, brilliant and of a rare variety, else it had not been Zenobia.
After a brief pause at the window, she turned away, exemplifying, in
the few steps that removed her out of sight, that noble and beautiful
motion which characterized her as much as any other personal charm. Not
one woman in a thousand could move so admirably as Zenobia. Many women
can sit gracefully; some can stand gracefully; and a few, perhaps, can
assume a series of graceful positions. But natural movement is the
result and expression of the whole being, and cannot be well and nobly
performed unless responsive to something in the character. I often
used to think that music--light and airy, wild and passionate, or the
full harmony of stately marches, in accordance with her varying
mood--should have attended Zenobia's footsteps.

I waited for her reappearance. It was one peculiarity, distinguishing
Zenobia from most of her sex, tha