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The Project Gutenberg EBook of The Blithedale Romance, by Nathaniel Hawthorne This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Blithedale Romance Author: Nathaniel Hawthorne Posting Date: November 19, 2008 [EBook #2081] Release Date: February, 2000 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE BLITHEDALE ROMANCE *** Produced by Michael Pullen and Tom Gannett. HTML version by Al Haines. The Blithedale Romance by Nathaniel Hawthorne Table of Contents I. OLD MOODIE II. BLITHEDALE III. A KNOT OF DREAMERS IV. THE SUPPER-TABLE V. UNTIL BEDTIME VI. COVERDALE'S SICK CHAMBER VII. THE CONVALESCENT VIII. A MODERN ARCADIA IX. HOLLINGSWORTH, ZENOBIA, PRISCILLA X. A VISITOR FROM TOWN XI. THE WOOD-PATH XII. COVERDALE'S HERMITAGE XIII. ZENOBIA'S LEGEND XIV. ELIOT'S PULPIT XV. A CRISIS XVI. LEAVE-TAKINGS XVII. THE HOTEL XVIII. THE BOARDING-HOUSE XIX. ZENOBIA'S DRAWING-ROOM XX. THEY VANISH XXI. AN OLD ACQUAINTANCE XXII. FAUNTLEROY XXIII. A VILLAGE HALL XXIV. THE MASQUERADERS XXV. THE THREE TOGETHER XXVI. ZENOBIA AND COVERDALE XXVII. MIDNIGHT XXVIII. BLITHEDALE PASTURE XXIX. MILES COVERDALE'S CONFESSION I. OLD MOODIE The evening before my departure for Blithedale, I was returning to my bachelor apartments, after attending the wonderful exhibition of the Veiled Lady, when an elderly man of rather shabby appearance met me in an obscure part of the street. "Mr. Coverdale," said he softly, "can I speak with you a moment?" As I have casually alluded to the Veiled Lady, it may not be amiss to mention, for the benefit of such of my readers as are unacquainted with her now forgotten celebrity, that she was a phenomenon in the mesmeric line; one of the earliest that had indicated the birth of a new science, or the revival of an old humbug. Since those times her sisterhood have grown too numerous to attract much individual notice; nor, in fact, has any one of them come before the public under such skilfully contrived circumstances of stage effect as those which a
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