eart and you will see
Graved inside of it, 'Italy'.
Nor were these the only expressions of Italian respect and sympathy. The
municipality of Florence sent its message of condolence. Asolo, poor
in all but memories, itself bore the expenses of a mural tablet for
the house which Mr. Browning had occupied. It is now known that Signor
Crispi would have appealed to Parliament to rescind the exclusion
from the Florentine cemetery, if the motive for doing so had been less
promptly removed.
Mr. Browning's own country had indeed opened a way for the reunion of
the husband and wife. The idea had rapidly shaped itself in the public
mind that, since they might not rest side by side in Italy, they
should be placed together among the great of their own land; and it was
understood that the Dean would sanction Mrs. Browning's interment in
the Abbey, if a formal application to this end were made to him. But
Mr. Barrett Browning could not reconcile himself to the thought of
disturbing his mother's grave, so long consecrated to Florence by her
warm love and by its grateful remembrance; and at the desire of both
surviving members of the family the suggestion was set aside.
Two days after his temporary funeral, privately and at night, all that
remained of Robert Browning was conveyed to the railway station; and
thence, by a trusted servant, to England. The family followed within
twenty-four hours, having made the necessary preparations for a long
absence from Venice; and, travelling with the utmost speed, arrived in
London on the same day. The house in De Vere Gardens received its master
once more.
'Asolando' was published on the day of Mr. Browning's death. The report
of his illness had quickened public interest in the forthcoming work,
and his son had the satisfaction of telling him of its already realized
success, while he could still receive a warm, if momentary, pleasure
from the intelligence. The circumstances of its appearance place it
beyond ordinary criticism; they place it beyond even an impartial
analysis of its contents. It includes one or two poems to which we would
gladly assign a much earlier date; I have been told on good authority
that we may do this in regard to one of them. It is difficult to refer
the 'Epilogue' to a coherent mood of any period of its author's life. It
is certain, however, that by far the greater part of the little volume
was written in 1888-89, and I believe all that is most serious in it
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