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er the front of her dress, which was apparently designed for a ball. She was, in a singular way, at once ugly and pretty; she had protuberant eyes, and lips strangely red. She reminded Newman of his friend, Mademoiselle Nioche; this was what that much-obstructed young lady would have liked to be. Valentin de Bellegarde walked behind her at a distance, hopping about to keep off the far-spreading train of her dress. "You ought to show more of your shoulders behind," he said very gravely. "You might as well wear a standing ruff as such a dress as that." The young woman turned her back to the mirror over the chimney-piece, and glanced behind her, to verify Valentin's assertion. The mirror descended low, and yet it reflected nothing but a large unclad flesh surface. The young marquise put her hands behind her and gave a downward pull to the waist of her dress. "Like that, you mean?" she asked. "That is a little better," said Bellegarde in the same tone, "but it leaves a good deal to be desired." "Oh, I never go to extremes," said his sister-in-law. And then, turning to Madame de Bellegarde, "What were you calling me just now, madame?" "I called you a gad-about," said the old lady. "But I might call you something else, too." "A gad-about? What an ugly word! What does it mean?" "A very beautiful person," Newman ventured to say, seeing that it was in French. "That is a pretty compliment but a bad translation," said the young marquise. And then, looking at him a moment, "Do you dance?" "Not a step." "You are very wrong," she said, simply. And with another look at her back in the mirror she turned away. "Do you like Paris?" asked the old lady, who was apparently wondering what was the proper way to talk to an American. "Yes, rather," said Newman. And then he added with a friendly intonation, "Don't you?" "I can't say I know it. I know my house--I know my friends--I don't know Paris." "Oh, you lose a great deal," said Newman, sympathetically. Madame de Bellegarde stared; it was presumably the first time she had been condoled with on her losses. "I am content with what I have," she said with dignity. Newman's eyes, at this moment, were wandering round the room, which struck him as rather sad and shabby; passing from the high casements, with their small, thickly-framed panes, to the sallow tints of two or three portraits in pastel, of the last century, which hung between them. He ought, obvious
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