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and the one who had apparently suffered most had upon the whole lived the cleaner, more normal life--and Mr. Brotherton drummed his penholder upon the black desk before him and questioned the justice of life. But, indeed, if we must judge life's awards and benefits from the material side there is no justice in life. If there was any difference between the two women whom Tom Van Dorn had wronged--difference in rewards or punishments, it must have been in their hearts. It is possible that in her life of motherhood and wifehood, in the sacrifices that broke her body and scarred her face, Violet Mauling may have been compensated by the love she bore the children upon whom she lavished her life. For she had that love, and she did squander--in blind vain folly--the strength of her body, afterwards the price of her soul--upon her children. As for Margaret Van Dorn--Mr. Brotherton was no philosopher. He could not pity her. Yet she too had given all. She had given her mind--and it was gone. She had given her heart and it was gone also, and she had given that elusive blending of the heart and mind we call her soul--and that was gone, too. Mr. Brotherton could see that they were gone--all gone. But he could not see that her loss was greater than Violet's. That night when Dennis Hogan came in for his weekly _Fireside Companion_ as he said, "for the good woman," Mr. Brotherton, for old sake's sake, put in something in paper backs by Marie Corelli, and a novel by Ouida; and then, that he might give until it hurt, he tied up a brand new _Ladies' Home Journal_, and said, as he locked up the store and stepped into the chill night air with Mr. Hogan: "Dennis--tell Violet--I sent 'em in return for the good turns she used to do me when I was mayor and she was in Van Dorn's office and drew up the city ordinances--she'll remember." "Indeed she will, George Brotherton--that she will. Many's the night she's talked me to sleep of them golden days of her splendor--indeed she will." They walked on together and Hogan said: "Well--I turn at the next crossin'. I'm goin' home and I'm glad of it. Up in the mornin' at five; off on the six-ten train, climbin' the slag dump at seven, workin' till six, home on the six-fifteen train, into the house at seven; to bed at ten, up at five, eat and work and sleep--sleep and eat and work, fightin' the dump by day and fightin' the fumes in me chist by night--all for a dollar and sixty a day; and if we jin
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