th flute and pipe came nigh
The danger of the dog's heads three
That ravening at hell's door doth lie;
Fain was Narcissus, fair and shy,
For love's love lightly lost and won,
In a deep well to drown and die;
Good luck has he that deals with none!

Sardana, flower of chivalry,
Who conquered Crete with horn and cry,
For this was fain a maid to be
And learn with girls the thread to ply;
King David, wise in prophecy,
Forgot the fear of God for one
Seen washing either shapely thigh;
Good luck has he that deals with none!

For this did Amnon, craftily
Feigning to eat of cakes of rye,
Deflower his sister fair to see,
Which was foul incest; and hereby
Was Herod moved, it is no lie,
To lop the head of Baptist John
For dance and jig and psaltery;
Good luck has he that deals with none!

Next of myself I tell, poor me,
How thrashed like clothes at wash was I
Stark naked, I must needs agree;
Who made me eat so sour a pie
But Katherine of Vaucelles? thereby,
Noe took third part of that fun;
Such wedding-gloves are ill to buy;
Good luck has he that deals with none!

But for that young man fair and free
To pass those young maids lightly by,
Nay, would you burn him quick, not he;
Like broom-horsed witches though he fry,
They are sweet as civet in his eye;
But trust them, and you're fooled anon;
For white or brown, and low or high,
Good luck has he that deals with none!

FRAGMENT ON DEATH

And Paris be it or Helen dying,
Who dies soever, dies with pain.
He that lacks breath and wind for sighing,
His gall bursts on his heart; and then
He sweats, God knows what sweat!--again,
No man may ease him of his grief;
Child, brother, sister, none were fain
To bail him thence for his relief.

Death makes him shudder, swoon, wax pale,
Nose bend, veins stretch, and breath surrender,
Neck swell, flesh soften, joints that fail
Crack their strained nerves and arteries slender.
O woman's body found so tender,
Smooth, sweet, so precious in men's eyes,
Must thou too bear such count to render?
Yes; or pass quick into the skies.

[In the original here follows Villon's masterpiece, the matchless _Ballad
of the Ladies of Old Time_, so incomparably rendered in the marvellous
version of D. G. Rossetti; followed in its turn by the succeeding