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inside. He snapped a switch on the side of his desk. "There; now they can't hear--if any are still hanging around." Professor Elton looked at him bewilderedly. "I don't get it. After all the risk we went to, to convince the public that there ain't no ghosts--as the old saying goes--you arrange to have students hear you going into a 'report to the home planet' act. And you use a code they all know. What's the point in undoing it?" Clayton nodded. "It looks somewhat mad, doesn't it? Well ... the Psychology Team was sure of the necessity. You see, more and more humans remain unconvinced each time one of these hoaxes are exposed. The unconvinced are sure that something fiendish is going on beneath the surface, that the authorities--all kinds from civil to scientific--are engaged in a vast cover-up. We can't prevent this belief; we don't know how to keep it from spreading. So--the alternative is to direct it." Elton nodded slowly. "I can see possibilities along that line--but just what direction was this supposed to kind of bring about?" "Why, obviously, if large-scale invasion from Mars is imminent--and this is the belief that we're all catering to--then it follows that the invasion hasn't already taken place. The two of us, and Harvey Gale, will disappear shortly in one way or another, and gradually public cries for effective planetary defense will mount. "You know who will direct the defense." Transcriber's Note: This etext was produced from _Future Science Fiction_ No. 30 1956. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note. End of the Project Gutenberg EBook of The Fourth Invasion, by Henry Josephs *** END OF THIS PROJECT GUTENBERG EBOOK THE FOURTH INVASION *** ***** This file should be named 23099.txt or 23099.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/3/0/9/23099/ Produced by Greg Weeks, Stephen Blundell and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permissi
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