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were the first in the field with the new style of war-ships. _La Gloire_ was built, and was quickly followed by our own _Warrior_. The frame of _La Gloire_ was constructed of wood, but covered with an iron plating four and a half inches in thickness. The _Warrior_ was built on an iron frame, and her armour-plating is of the same thickness as that of _La Gloire_; the lining is of solid teak eighteen inches thick, which is again backed by an inner coating of iron. The length of the _Warrior_ is three hundred and eighty feet, but only about two-thirds of this is iron-plated. At this time--the early days of ironclads--the heaviest shot that could be thrown by any gun was a sixty-eight pounder. Guns of this calibre the _Warrior_ and her class were proof against. But the guns increased rapidly in size and power, and the thickness of the armour with which the ships were protected had to be increased in proportion. The class of war-vessels which succeeded the _Warrior_ were entirely cased with iron plates, whose thickness has from time to time been increased. Since the first ironclad was built, then, a contest--for only such it can be called--has been going on between the cannon-maker and the ship-builder, the one striving to construct a gun which shall pierce the thickest armour which the ship can carry, the other adding inch upon inch to his armour plates, to the end that they may be shot-proof; and this contest may be said to be going on at this hour. Will there ever be the same romance about the warships of the present day,--what those of the future will be like we do not care to speculate,--and the old "wooden walls" whose prowess on the high seas founded England's maritime glory? Will a Dibdin ever arise to sing a _Devastation_ or a _Glatton_? Can a _Devastation_ or a _Glatton_ ever inspire poetic thoughts and images? One would say that the singer must be endowed in no ordinary degree with the sacred fire whom such a theme as a modern ironclad turret-ship should move to lyric utterance. It has been said that all the romance of the road died out with the old coaching days; and certainly a locomotive engine, with its long black train of practical-looking cars, makes hardly so picturesque a feature in the landscape as one of the old stage-coaches with its red-coated driver, horn-blowing guard, and team of mettled greys; but a railway train is an embodiment of poetry compared with a turret-ship. But if it be t
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