nd stretching out
their arms for aid. One can count the persons, but it looks as if
there were a crowd behind that we do not see, all pressing forward.
On the other side of the picture are the disciples, all eager, with
heads bent forward, and each gesturing to express his meaning. One,
younger than the others, with his hand against his breast, looks at
the father with a pitying but helpless expression, as if he would
gladly help him if he only could. Another has an open book as though
he were trying to find some word of comfort. One is pointing out the
boy to his neighbor, and two in the background seem to be lost in
perplexity.
But, after all, though most of the disciples are thus intent, the eye
quickly notes the action of a figure near the centre, full of fire and
energy, who is pointing upward, away from the group, and calling upon
the father and the women to look that way. And the line of his arm
thrust out is continued by that of another disciple behind him, who
also points upward.
For these two have seen the Lord, and they are bidding the troubled
parents look the same way for help. There, above all this turmoil and
confusion, is a scene of dazzling light, of which they alone seem to
be aware.
[Illustration: THE TRANSFIGURATION
_Vatican Gallery, Rome_]
The upper part of the picture discloses the transfiguration of the
Saviour. As the evangelist tells us, he had taken Peter and James and
John with him, and had gone up into a mountain to pray.
"And as he prayed, the fashion of his countenance was
altered, and his raiment was white and glistering. And,
behold, there talked with him two men, which were Moses and
Elias, who appeared in glory, and spake of his decease which
he should accomplish at Jerusalem. But Peter and they that
were with him were heavy with sleep; and when they were
awake, they saw his glory, and the two men that stood with
him."[8]
[Footnote 8: Luke, chapter ix., verses 29-32.]
The scene shown is at the moment of the awaking of the three
disciples, one not daring to look up again, but bowing his head and
folding his hands in prayer. They are dazzled with the glory. This
glory is a cloud of brightness which envelops the three figures of
Christ, Moses, and Elijah, or as the Greeks called him, Elias. The
Saviour looks heavenward with rapture in his gaze.
On one side are seen two kneeling figures. They are said to stand for
the father and
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