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nd stretching out their arms for aid. One can count the persons, but it looks as if there were a crowd behind that we do not see, all pressing forward. On the other side of the picture are the disciples, all eager, with heads bent forward, and each gesturing to express his meaning. One, younger than the others, with his hand against his breast, looks at the father with a pitying but helpless expression, as if he would gladly help him if he only could. Another has an open book as though he were trying to find some word of comfort. One is pointing out the boy to his neighbor, and two in the background seem to be lost in perplexity. But, after all, though most of the disciples are thus intent, the eye quickly notes the action of a figure near the centre, full of fire and energy, who is pointing upward, away from the group, and calling upon the father and the women to look that way. And the line of his arm thrust out is continued by that of another disciple behind him, who also points upward. For these two have seen the Lord, and they are bidding the troubled parents look the same way for help. There, above all this turmoil and confusion, is a scene of dazzling light, of which they alone seem to be aware. [Illustration: THE TRANSFIGURATION _Vatican Gallery, Rome_] The upper part of the picture discloses the transfiguration of the Saviour. As the evangelist tells us, he had taken Peter and James and John with him, and had gone up into a mountain to pray. "And as he prayed, the fashion of his countenance was altered, and his raiment was white and glistering. And, behold, there talked with him two men, which were Moses and Elias, who appeared in glory, and spake of his decease which he should accomplish at Jerusalem. But Peter and they that were with him were heavy with sleep; and when they were awake, they saw his glory, and the two men that stood with him."[8] [Footnote 8: Luke, chapter ix., verses 29-32.] The scene shown is at the moment of the awaking of the three disciples, one not daring to look up again, but bowing his head and folding his hands in prayer. They are dazzled with the glory. This glory is a cloud of brightness which envelops the three figures of Christ, Moses, and Elijah, or as the Greeks called him, Elias. The Saviour looks heavenward with rapture in his gaze. On one side are seen two kneeling figures. They are said to stand for the father and
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