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utiful California woods. "We shall have two homes," she thought. It was heavenly to say "we" again. "You can have Christmas dinner at your own place," said the architect. "Oh, but I want Christmas _Eve_ there!" Angela exclaimed. "Of all things, I want Christmas Eve!" "Very well, I promise you Christmas Eve," the architect answered, almost as if she were a child. But she was not a child. She was a woman loving and longing. Always she had wanted to have a happy Christmas Eve, and she had never had one since Franklin Merriam died. At last she wrote: "I am going to have a house-warming at Christmas-time: only five guests, and you, Nick, are the principal one. The others, are Mrs. Harland, Mr. Falconer and his bride, and little Miss Wilkins, your school-teacher at Lucky Star. Some day I'll tell you how we renewed our acquaintance." Nick did not care to know. He wanted to be the only guest: yet somehow he felt that she did not mean to disappoint him. She meant him to be happy that day--the day of Christmas Eve, when she asked him to come to her--at last. But how could she contrive, with other guests, not to let it be a disappointment? She contrived it by letting him arrive first at the beautiful new house, which was as like as possible, in miniature, to the Mission Inn where they had once "made-believe." They did not speak when they met. Their hearts were too full. There was no question, "Will you marry me?" No answer, "Yes, I am free to love you now." But when the others came, Angela said: "Congratulate me. I am engaged to the best and dearest man on earth, and I--am the happiest woman." THE END End of the Project Gutenberg EBook of The Port of Adventure by Charles Norris Williamson and Alice Muriel Williamson *** END OF THIS PROJECT GUTENBERG EBOOK THE PORT OF ADVENTURE *** ***** This file should be named 11016.txt or 11016.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/1/0/1/11016/ Produced by Suzanne Shell and PG Distributed Proofreaders Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms o
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