evotional exercises in prison by the curate of La
Chapelle.
During the night, the necessary preparations for the morning tragedy had
been made in the great square of Brussels. It was the intention of
government to strike terror to the heart of the people by the exhibition
of an impressive and appalling spectacle. The absolute and irresponsible
destiny which ruled them was to be made manifest by the immolation of
these two men, so elevated by rank, powerful connexion, and distinguished
service.
The effect would be heightened by the character of the locality where
the gloomy show was to be presented. The great square of Brussels had
always a striking and theatrical aspect. Its architectural effects,
suggesting in some degree the meretricious union between Oriental and a
corrupt Grecian art, accomplished in the medieval midnight, have amazed
the eyes of many generations. The splendid Hotel de Ville, with its
daring spire and elaborate front, ornamented one side of the place;
directly opposite was the graceful but incoherent facade of the
Brood-huis, now the last earthly resting-place of the two distinguished
victims, while grouped around these principal buildings rose the
fantastic palaces of the Archers, Mariners, and of other guilds, with
their festooned walls and toppling gables bedizened profusely with
emblems, statues, and quaint decorations. The place had been alike the
scene of many a brilliant tournament and of many a bloody execution.
Gallant knights had contended within its precincts, while bright eyes
rained influence from all those picturesque balconies and decorated
windows. Martyrs to religious and to political liberty had, upon the same
spot, endured agonies which might have roused every stone of its pavement
to mutiny or softened them to pity. Here Egmont himself, in happier days,
had often borne away the prize of skill or of valor, the cynosure of
every eye; and hence, almost in the noon of a life illustrated by many
brilliant actions, he was to be sent, by the hand of tyranny, to his
great account.
On the morning of the 5th of June, three thousand Spanish troops were
drawn up in battle array around a scaffold which had been erected in the
centre of the square. Upon this scaffold, which was covered with black
cloth, were placed two velvet cushions, two iron spikes, and a small
table. Upon the table was a silver crucifix. The provost-marshal, Spelle,
sat on horseback below, with his red wand in his ha
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