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r. BROADBENT. Oh, I'm sorry. Why didn't he wait? I told him to wait if I wasn't in. HODSON. Well Sir, I didn't know you expected him; so I thought it best to--to--not to encourage him, sir. BROADBENT. Oh, he's all right. He's an Irishman, and not very particular about his appearance. HODSON. Yes sir, I noticed that he was rather Irish.... BROADBENT. If he calls again let him come up. HODSON. I think I saw him waiting about, sir, when you drove up. Shall I fetch him, sir? BROADBENT. Do, Hodson. HODSON. Yes sir [He makes for the outer door]. BROADBENT. He'll want tea. Let us have some. HODSON [stopping]. I shouldn't think he drank tea, sir. BROADBENT. Well, bring whatever you think he'd like. HODSON. Yes sir [An electric bell rings]. Here he is, sir. Saw you arrive, sir. BROADBENT. Right. Show him in. [Hodson goes out. Broadbent gets through the rest of his letters before Hodson returns with the visitor]. HODSON. Mr Affigan. Haffigan is a stunted, shortnecked, smallheaded, redhaired man of about 30, with reddened nose and furtive eyes. He is dressed in seedy black, almost clerically, and might be a tenth-rate schoolmaster ruined by drink. He hastens to shake Broadbent's hand with a show of reckless geniality and high spirits, helped out by a rollicking stage brogue. This is perhaps a comfort to himself, as he is secretly pursued by the horrors of incipient delirium tremens. HAFFIGAN. Tim Haffigan, sir, at your service. The top o the mornin to you, Misther Broadbent. BROADBENT [delighted with his Irish visitor]. Good afternoon, Mr Haffigan. TIM. An is it the afthernoon it is already? Begorra, what I call the mornin is all the time a man fasts afther breakfast. BROADBENT. Haven't you lunched? TIM. Divil a lunch! BROADBENT. I'm sorry I couldn't get back from Brighton in time to offer you some; but-- TIM. Not a word, sir, not a word. Sure it'll do tomorrow. Besides, I'm Irish, sir: a poor ather, but a powerful dhrinker. BROADBENT. I was just about to ring for tea when you came. Sit down, Mr Haffigan. TIM. Tay is a good dhrink if your nerves can stand it. Mine can't. Haffigan sits down at the writing table, with his back to the filing cabinet. Broadbent sits opposite him. Hodson enters emptyhanded; takes two glasses, a siphon, and a tantalus from the cupboard; places them before Broadbent on the writing table; looks ruthlessly at Haffigan, who cannot meet his eye;
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