r.
BROADBENT. Oh, I'm sorry. Why didn't he wait? I told him to wait
if I wasn't in.
HODSON. Well Sir, I didn't know you expected him; so I thought it
best to--to--not to encourage him, sir.
BROADBENT. Oh, he's all right. He's an Irishman, and not very
particular about his appearance.
HODSON. Yes sir, I noticed that he was rather Irish....
BROADBENT. If he calls again let him come up.
HODSON. I think I saw him waiting about, sir, when you drove up.
Shall I fetch him, sir?
BROADBENT. Do, Hodson.
HODSON. Yes sir [He makes for the outer door].
BROADBENT. He'll want tea. Let us have some.
HODSON [stopping]. I shouldn't think he drank tea, sir.
BROADBENT. Well, bring whatever you think he'd like.
HODSON. Yes sir [An electric bell rings]. Here he is, sir. Saw
you arrive, sir.
BROADBENT. Right. Show him in. [Hodson goes out. Broadbent gets
through the rest of his letters before Hodson returns with the
visitor].
HODSON. Mr Affigan.
Haffigan is a stunted, shortnecked, smallheaded, redhaired man of
about 30, with reddened nose and furtive eyes. He is dressed in
seedy black, almost clerically, and might be a tenth-rate
schoolmaster ruined by drink. He hastens to shake Broadbent's
hand with a show of reckless geniality and high spirits, helped
out by a rollicking stage brogue. This is perhaps a comfort to
himself, as he is secretly pursued by the horrors of incipient
delirium tremens.
HAFFIGAN. Tim Haffigan, sir, at your service. The top o the
mornin to you, Misther Broadbent.
BROADBENT [delighted with his Irish visitor]. Good afternoon, Mr
Haffigan.
TIM. An is it the afthernoon it is already? Begorra, what I call
the mornin is all the time a man fasts afther breakfast.
BROADBENT. Haven't you lunched?
TIM. Divil a lunch!
BROADBENT. I'm sorry I couldn't get back from Brighton in time to
offer you some; but--
TIM. Not a word, sir, not a word. Sure it'll do tomorrow.
Besides, I'm Irish, sir: a poor ather, but a powerful dhrinker.
BROADBENT. I was just about to ring for tea when you came. Sit
down, Mr Haffigan.
TIM. Tay is a good dhrink if your nerves can stand it. Mine
can't.
Haffigan sits down at the writing table, with his back to the
filing cabinet. Broadbent sits opposite him. Hodson enters
emptyhanded; takes two glasses, a siphon, and a tantalus from the
cupboard; places them before Broadbent on the writing table;
looks ruthlessly at Haffigan, who cannot meet his eye;
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