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escort required. Tunis--Hotel de France. Tunis to Solyman, four hours; Tunis to Biserta, fourteen hours. On horseback, take two flannel shirts, one change of boots, and bournouse, &c. Average expense per diem, with horse and servant, twenty-five francs. I had three horses and one interpreter, and my expenses averaged L1 10s. _par jour_. THE END. PETTER AND GALPIN, BELLE SAUVAGE PRINTING WORKS, LUDGATE HILL, E.C. * * * * * Transcriber's Notes: Illustrations have been moved closer to their relevant paragraphs. The page numbers in the List of Illustrations do not reflect the new placement of the illustrations, but are as in the original. Author's archaic and variable spelling and hyphenation is preserved. Author's punctuation style is preserved. Passages in italics indicated by _underscores_. Passages in bold indicated by =equal signs=. Typographical problems have been changed and are listed below. Transcriber's Changes: Page 5: Original Table of Contents lists Chapter III as page 17. Page 8: Was 'unhapy' (his cutting sarcasm, and the =unhappy= frivolity which defaces the works of the man) Page 30: Was 'Kadir' (FURTHER EXPERIENCES:--Abd-el-=Kader= (but not the Emir)--Difficult Road) Page 33: Was 'twent' (The Arab had fired at the brute at =twenty= paces, but missed his aim.) Page 85: Was 'mattrass' (and the =mattress=--fancy now!--is stuffed with sticks, and is so cursedly hard) End of the Project Gutenberg EBook of Notes in North Africa, by W. G. Windham *** END OF THIS PROJECT GUTENBERG EBOOK NOTES IN NORTH AFRICA *** ***** This file should be named 30581.txt or 30581.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/0/5/8/30581/ Produced by Dan Horwood and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Spe
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