fly from the spot with every sign of suffering and distress. Others
have been seen to sit and listen to music with seeming delight, and
even to go every Sunday to church, with the obvious purpose of
enjoying the solemn and powerful strains of the organ. Some dogs
manifest a keen sense of false notes in music. Mrs. Samuel Carter
Hall, at Old Brompton, possesses an Italian greyhound, which screams
in apparent agony when a jarring combination of notes is produced,
accidentally or intentionally, on the piano. These opposite and
various manifestations show what might be done by education to teach
dogs a critical knowledge of sounds. A gentleman of Darmstadt, in
Germany, as we learn, has taught a poodle dog to detect false notes in
music. We give the account of this remarkable instance of educability
as it appears in a French newspaper.
Mr. S----, having acquired a competency by commercial industry,
retired from business, and devoted himself, heart and soul, to the
cultivation and enjoyment of music. Every member of his little
household was by degrees involved more or less in the same occupation,
and even the housemaid could in time bear a part in a chorus, or
decipher a melody of Schubert. One individual alone in the family
seemed to resist this musical entrancement; this was a small spaniel,
the sole specimen of the canine race in the mansion. Mr. S---- felt
the impossibility of instilling the theory of sounds into the head of
Poodle, but he firmly resolved to make the animal bear _some_ part or
other in the general domestic concert; and by perseverance, and the
adoption of ingenious means, he attained his object. Every time that a
_false note_ escaped either from the instrument or voice--as often as
any blunder, of whatever kind, was committed by the members of the
musical family (and such blunders were sometimes committed
intentionally)--down came its master's cane on the back of the
unfortunate poodle, till she howled and growled again. Poodle
perceived the meaning of these unkind chastisements, and instead of
becoming sulky, showed every disposition to howl on the instant a
false note was uttered, without waiting for the formality of a blow.
By and by, a mere glance of Mr. S----'s eye was sufficient to make the
animal howl to admiration. In the end, Poodle became so thoroughly
acquainted with, and attentive to, false notes and other musical
barbarisms, that the slightest mistake of the kind was infallibly
signalised b
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