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, and the curate, their dine-and-sleep guest, sat opposite the bishop and farthest from the warmth. As a curate this position was his due. Some day he also would be a bishop, and then he too would know what it was to intercept the glow. The curate was looking dubiously into the recesses of an egg. His fine Anglican features underwent a series of contortions. "I am afraid," said the bishop, "that that egg is not a good one." "You are right, my lord," said the curate. "It is not only bad, it's alive. I think it's the worst egg that was ever offered me." II. The wounded soldier lay in his deck-chair placidly smoking his hundredth cigarette that day. He was not naturally a smoker, but cigarettes arrived in enormous numbers and something had to be done with them. His visitor sat beside him, note-book in hand. "Yes?" he remarked. "And then," said the soldier, "came the order to charge. We fixed bayonets and rushed at the Bosches like mad. It was glorious--like the best kind of football match." The visitor took it all down, and more. "I remember bayonetting two men," said the soldier, "and then I remember nothing else. And that's six months ago. Still, I'm getting well, and then there's only one thing on earth that I really want with a passionate desire ..." "I know! I know!" said the visitor, moistening his pencil. "Never to see any more war as long as I live," the soldier continued. III. The aged artist sat in his luxurious studio surrounded by his masterpieces--that is, by the pictures he had never been able to sell. The gem of the collection stood on an easel in the middle of the room; while a connoisseur, hat in hand, inspected it closely, enthusiastically, breathlessly. Then, coming over to where the artist was resting, he sat down opposite to him and in a voice trembling with emotion asked, "Tell me, how _do_ you mix your colours?" There was a deep silence, almost painful in its intensity. A drawing-pin fell with a deafening crash. The venerable painter stood up with a calm and leonine expression. "I use an ivory palette knife," he said. IV. The shadows were lengthening in the beautiful garden. It was a warm spring evening. The old sun-dial had just struck seven. The poet threw aside his book and called his Airedale terrier; the dog, responding in time, eventually reached his master's knee. Seizing his opportunity, the representative of the Press observed, "You are, I s
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