r and a composer for his instrument. His Concertos
are compositions of the highest character, and require for their
rendering a finished artist.

Joseph Mayseder was a Violinist of an order distinct from that of
Spohr or Molique. His style was exceedingly brilliant. Mayseder may
also be said to have created a school of his own, and, owing to the
circulation that his compositions obtained in England, his style was
introduced among a great number of our countrymen. Kalliwoda wrote and
played very much in the Mayseder manner. His Airs and Variations are
especially brilliant compositions; his Overtures are also much admired
for their sparkling and dramatic character.

I come now to notice one of the greatest artistes of our time--Herr
Ernst--whose playing was impassioned in the highest degree. He made
the Violin express his innermost thoughts in tones of delicious
tenderness, such as his hearers can never forget. By nature noble,
generous, and affectionate, the shade and substance of each trait was
faithfully reflected in his exquisite playing. His compositions are
among the finest solo writings we have. To mention his "Otello," "Airs
Hongrois," "Le Prophete," and his "Studies," will be sufficient to
call to the mind of most Violinists the high character of his
compositions.

It now only remains for me to briefly allude to the German artists
each Concert Season makes us familiar with. First and foremost, the
mighty Herr Joachim, a host in himself. His able coadjutor, Herr
Strauss, was justly admired for his intellectual rendering of the
great masters, and the artistic spirit he invariably displayed. Herr
Wilhelmj was regarded as one of the first players of our time, his
executive powers being of the highest order.

SECTION XV
Anecdotes and Miscellanea connected with the Violin

[Illustration:
"The Squire, in state, rode on before,
. . . . .
The Trophy-Fiddle, and the case
Leaning on shoulder, like a mace."]

HUDIBRAS AND THE CHAMPION CROWDERO.

The important part played by the renowned Champion Crowdero in
Butler's inimitable satire has never failed to give keen enjoyment to
all lovers of wit and humour. This being so, his exploits should be
doubly appreciated by the votaries of the Fiddle, since it was he who
valiantly defended the cause of Fiddling against the attacks of
Hudibras--

"When civil dudgeon first grew high,
And men fell out, they knew not w