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in Brazil by cracking your skull." San Benavides, hearing the names of the two ports, understood exactly why the young Englishman was making such a strenuous protest. He moved nearer, laying an ostentatious hand on the sword that clanked everlastingly at his heels. He had never been taught, it seemed, that a man who can use his fists commands a readier weapon than a sword in its scabbard. Hozier eyed him. There was no love lost between them. For a fraction of a second San Benavides was in a position of real peril. Then Dom Corria said coldly: "No interference, I pray you, Senhor Adjudante. Kindly withdraw." His tone was eminently official. San Benavides saluted and stepped back. The dark scar on De Sylva's forehead had grown a shade lighter, but there was no other visible sign of anger in his face, and his luminous eyes peered steadily into Hozier's. "Let me understand!" he said. "You hold my life as forfeit if any mischance befalls Miss Yorke?" "Yes." "I accept that. Of course, you no longer challenge my direction of affairs?" "I am no match for you in argument, senhor, but I do want you to believe that I shall keep my part of the compact." Coke, familiar with De Sylva's resources as a debater, and by no means unwilling to see Hozier "taken down a peg," as he phrased it; eager, too, to witness the Brazilian officer's discomfiture if the second mate "handed it to him," thought it was time to assert himself. "I'm goin' to 'ave a nap," he announced. "Either you or Watts must take 'old. W'ich is it to be?" "No need to ask Mr. Hozier any such question," said the suave Dom Corria. "You can trust him implicitly. He is with us now--to the death. Captain San Benavides, a word with you." "South a bit," repeated the skipper. "Call me at two bells in the second dog." He was turning to leave the bridge with the Brazilians when a cheery voice came from a gangway beneath. "Yah, yah, mine frent--that's the proper lubricant. I wouldn't give you tuppence a dozen for your bloomin' lager. Well, just a freshener. Thanks. Ik danky shun!" "You spik Tcherman vare goot," was the reply. "Talk a little of all sorts. Used to sing a Jarman song once. What was that you was a-hummin' in your cabin? Nice chune. I've a musical ear meself." Someone sang a verse in a subdued baritone, tremulous with sentiment. The melody was haunting, the words almost pathetic under the conditions of life o
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