FREE BOOKS

Author's List




PREV.   NEXT  
|<   338   339   340   341   342   343   344   345   346   347   348   349   350   351   352   353   354   355   356   357   358   359   360   361   362  
363   364   365   366   367   368   369   370   371   372   373   374   375   376   377   378   379   380   381   382   383   384   385   386   387   >>   >|  
led off. To his proficiency in the mechanical part of his art Mr. Rogers attributes a considerable measure of his success, as it enables him to execute with facility every suggestion of his imagination, and to secure the perfect reproduction of his works by those to whom he intrusts that labor." By placing his works at popular prices, ranging from $10 to $25 each, Mr. Rogers has insured the largest sale and greatest popularity for them, and has thus become a national benefactor. It is now within the power of every person of moderate means to possess one or more of his exquisite groups, and in this way the artist has not only secured to himself a sure means of wealth, but has done much to encourage and foster a popular love for, and appreciation of, the art of which he is so bright an ornament. It was a bold venture to depart so entirely from all the precedents of art, but the result has vindicated both the artist's genius and his quick appreciation of the intelligence of his countrymen. "We can not enter into the feelings of ancient Greece," says a popular journal, in summing up his efforts, "and our artists who spend their time in attempting to reproduce that ancient art are only imitators. Their works interest only a small class of connoisseurs, and that interest is an antiquarian interest. It is not a vital, living interest, such as a Greek felt in his own work. It is not the natural, healthful, artistic feeling, the feeling for the beauty of realities, except in so far as it represents the feeling for the eternal attributes of beautiful form. It is an effort on the part of our artists to impose the forms and features of another age upon this one,--a task as impossible in art as in society, religion, and national politics." Mr. Rogers is now in his forty-first year, and of all our American artists is, perhaps, the one best known to the masses, and the most popular. He is of medium height, carries himself erectly, and is quick and energetic in his movements. His face is frank, manly, and open, and the expression, though firm and resolute,--as that of a man who has fought so hard for success must be,--is winning and genial. He is a gentleman of great cultivation of mind, and is said by his friends to be one of the most entertaining of companions. In 1865 he married a daughter of Mr. C.S. Francis, of New York, and his fondness for domestic life leads him to pass his leisure hours chiefly by his own fireside. [
PREV.   NEXT  
|<   338   339   340   341   342   343   344   345   346   347   348   349   350   351   352   353   354   355   356   357   358   359   360   361   362  
363   364   365   366   367   368   369   370   371   372   373   374   375   376   377   378   379   380   381   382   383   384   385   386   387   >>   >|  



Top keywords:

popular

 

interest

 
Rogers
 

artists

 

feeling

 

ancient

 
appreciation
 
success
 

attributes

 

artist


national
 
impossible
 
politics
 

religion

 

American

 

society

 
represents
 

healthful

 

natural

 

artistic


beauty

 

realities

 

antiquarian

 

living

 

impose

 

features

 

effort

 

eternal

 

beautiful

 

married


daughter

 

companions

 

friends

 

entertaining

 

Francis

 
leisure
 
chiefly
 

fireside

 

fondness

 

domestic


cultivation
 
movements
 

connoisseurs

 

energetic

 

erectly

 

masses

 
medium
 

height

 
carries
 

expression