strations to the present edition
comprise not only all the beautiful plates (engraved by Edward Finden,
from drawings by George Pickering) of the original edition, which have
been much admired as picturesque works of art, but also all the
wood-engravings (by Williams, after designs by Frank Howard) which have
appeared in any former edition, and which constituted the sole
embellishments of the three-volume editions. To these is now first added
the fine portrait of Mr Roby from the posthumous volume.
FOOTNOTES:
[1] The First Series includes all the Traditions beginning with "Sir
Tarquin" and ending with "The Haunted Manor-House;" the Second Series
comprises all the Tales from "Clitheroe Castle" to "Rivington Pike,"
both included; and the three Tales now first incorporated are--"Mother
Red-Cap, or the Rosicrucians;" "The Death Painter, or the Skeleton's
Bride;" and "The Crystal Goblet."
[2] His mother was a daughter of the old Lancashire family of Gerard of
Bryn.
[3] These dates and facts will be found in the _Missionary Priests_ of
Bishop Challoner, who wrote about 1740 (2 vols. 8vo., Manchester,
1741-2), naming as his authority a manuscript history of the trial, and
a printed account of it published in 1629. His statements are confirmed
by independent testimony. See Henry More's _Historia-Provinciae Anglicaae
Societatis Jesu_, book x. (sm. fol. St Omer's, 1660). Also Tanner's
_Societas Jesu_, &c., p. 99 (sm. fol. Prague, 1675). Neither Challoner
nor the MS. account, nor either of the authors just quoted, says one
word of Father Arrowsmith's alleged speech about the hand.
[4] See Mr Wm. Dobson's _Rambles by the Ribble_, 1st Series, p. 137.
MEMOIR OF THE AUTHOR.[5]
The late John Roby was born at Wigan on the 5th January 1793. From his
father, Nehemiah Roby, who was for many years Master of the
Grammar-School at Haigh, near Wigan, he inherited a good constitution
and unbended principles of honour and integrity. From the family of his
mother, Mary Aspall, he derived the quick, impressible temperament of
genius, and the love of humour which so conspicuously marks the
Lancashire character. He was the youngest child. His thirst for
knowledge was early and strongly manifested. Being once told in
childhood not to be so inquisitive, his appeal ever after was,
"_Inquisitive_ wants to know." As he grew up into boyhood, surrounded by
objects to which tradition had assigned her marvellous stories, they
sank sil
|