342.

Romillys, the, 183.

Rossini, 100.

Roxelane, 68.

Rowden, Mrs., 45, 47, 67.

Russell, Earl, 347, 404;
appearance of, 492;
incident of Sir Robert Inglis, 493;
responsibility in Reform Bill, 494.

"Rush-bearing," a, 296.

Ruthven, his proceeding toward Mary Stuart, 489.

Rutland, Duke of, 22.

Rye, 521.

Sackville, 462.

"Sacrament," preparation, 403.

"Sakuntala," 178.

De Sales, Francis, 426.

Salisbury, Lady, in "Isaure," 382;
"Wednesday Morning" at Hatfield House, 394.

Salmon, 89.

"Salmonia," 539.

Sandwich, Earl of, 124.

Saunders and Ottley, 319.

Savoy, Louisa of, 509.

Schiller, 169;
"Mary Stuart," 312.
"School for Scandal," incident of Miss Farren and Lord Derby in, 452;
at Southampton, 454, 487, 498;
in New York, 543.

Schlegel's "Dramatic Lectures," 486

Scotland, regalia of, 261.

_Scotsman, The_, 158.

Scott, Anne, 260.

Scott, Walter, 3, 36, 58, 87, 108, 142,157;
"Border Minstrelsy," 160, 166;
criticisms on Fanny Kemble's acting, 260;
anecdote of Scottish regalia, 261;
opinion of Fanny Kemble as compared with Mrs. Siddons, 262;
incident at Abbotsford, 263, 444;
caution in regard to _Waverley Novels_, 488, 521, 527;
death, 557.

Scottish Regalia, incident of, 157.

Scribe's "_Les premieres Amours_," 419.

Searle, Miss, 87.

Sedgwick's, Miss, "Hope Leslie," 577.

Semiramis, Queen, as a dramatic writer, 447.

Sentiment, books of, 506.

Serenading, 470.

Sevigne, Madame de, 277, 320.

Shakespeare, Plays at Paris, 115, 169, 182;
_Portia_, 187;
"Romeo and Juliet," the ending restored, 207;
claim of his plays to perfect representation, 220;
his plays compared with "Grecian Daughter," 238, 247, 255, 260;
compared with Goethe, 338;
"Romeo and Juliet," 342;
treatment of passion of hatred, 351, 389;
_knowing_ and _knowing about_ him, 396;
Mrs. Siddons' admiration for, 416, 486;
discussion about, 522;
beauty of his songs, 505;
reiteration of expressions of grief, 514;
Mrs. Jameson's book on his female characters, issued, 531.

Shannon, Rev. Win., 164.

Sharp "conversation," 504.

Sheil, "Evadne, or the Statue," and "The Apostate," 312.

Shelley, 166;
his passion for fire-gazing, 325, 334;
the Cenci;
translation of Calderon's "El Magico Prodigioso;"
"Faust," 384;
"Prometheus Unbound," 496, 498;
"The Sensitive Plant," and "Rosalind and Helen," 498;
"The Two Sisters," 49