f Seville," _ib._;
compared with Lady Salisbury, 394;
finishing "The Star of Seville," 395;
first appearance as _Lady Teazle_, 395;
desire to see Weybridge again, 396;
correcting proof on "Francis I.," 396;
"Reform," 398;
dedicating "Francis I." to Mrs. Charles Kemble, 399;
the communion service, 401;
off for Oatlands, and talks by the way, 402;
dress rehearsal for "Hernani," 405;
Hayter's picture for Lord Ellesmere, 412;
visit to Newgate, 413;
death of Mrs. Siddons, 416;
a summer's arrangements, 416;
"Une Facete," 417;
a royal audience, 422;
about marriage, 423;
talk about dislike to the stage, 432;
a street-singing project, 436;
sombre thoughts about marriage, 437;
opinion of _Juliet_, 438;
at Exeter, 439;
getting fortune told, 440;
love for Weybridge, 441;
verses on Bonaparte at St. Helena, 441;
slippery lodgings, 444;
"King John," Mrs. Siddons in, 446;
women as dramatic writers, 446;
a disagreeable sail, 447;
"fine people" and "not fine people," 455;
failure in _Queen Katharine_, 459;
love for splendor, 460;
"Bonaparte's letters to Josephine," 462;
cutting down salaries, 463;
a few words about letter-writing, 466;
terrible suspense about Charles Kemble and the theatre, 467;
_Bianca_ as a "golden pheasant," 469;
anxiety about Charles Kemble, 470;
ill from worrying over Charles Kemble, 470;
a serenading incident in the United States, 470;
the wrong side of a show, 472;
at Angerstein's Picture Gallery, 475;
presented to the Duchess of Kent and Princess Victoria, 475;
timorousness when singing, 480;
Charles Kemble's recovery, 481;
thoughts of America, 482;
"La Estrella," 483;
"Katharine of Cleves," 484;
awkward predicament at first acting in "Katharine of Cleves," 491;
"out" for first time in a part, 492;
about the nature and immortality of the soul, 495;
an ugly horse, 496;
well-assorted marriages, 498;
love of nature, 501;
Kemble's publication of his Anglo-Saxon poem of Beowulf, 502;
bad management of "Francis I.," 503;
feeling about "Francis I.," 504;
as the queen-mother in "Francis I.," 508;
sober thoughts for the future, 511;
purchasing Henry's commission from receipts of "Francis I.,"
copyright, 515;
H---- S---- off for Ireland, 519;
farewell to Covent Garden, 520;
off for Edinburgh, June 29, 1832, 521;
off for America, 522;
beginning of acquaintance wit