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all the sects both of ancient and modern India." It still boasts two thousand shrines, and half a million images of divinities. See also Sherring's "Sacred City of the Hindoos." KIANG-KOU-JIN.--Literally, the "tell-old-story-men." For a brief account of Chinese professional story-tellers, the reader may consult Schlegel's entertaining introduction to the _Mai-yu-lang-tou-tchen-hoa-kouei_. KIN.--The most perfect of Chinese musical instruments, also called "the Scholar's Lute." The word _kin_ also means "to prohibit"; and this name is said to have been given to the instrument because music, according to Chinese belief, "_restrains evil passions, and corrects the human heart_." See Williams's "Middle Kingdom." KOUEI.--Kouei, musician to the Emperor Yao, must have held his office between 2357 and 2277 B.C. The extract selected from one of his songs, which I have given at the beginning of the "Story of Ming-Y," is therefore more than four thousand years old. The same chant contains another remarkable fancy, evidencing Chinese faith in musical magic:-- "When I smite my [_musical_] stone,-- Be it gently, be it strongly,-- Then do the fiercest beasts of prey leap high for joy. And the chiefs among the public officials do agree among themselves." KWANG-CHAU-FU.--Literally, "The Broad City,"--the name of Canton. It is also called "The City of Genii." LI.--A measure of distance. The length of the _li_ has varied considerably in ancient and in modern times. The present is given by Williams as ten _li_ to a league. LI-SAO.--"The Dissipation of Grief," one of the most celebrated Chinese poems of the classic period. It is said to have been written about 314 B.C., by Kiu-ping-youen, minister to the King of Tsou. Finding himself the victim of a base court-intrigue, Kiu-ping wrote the _Li-Sao_ as a vindication of his character, and as a rebuke to the malice of his enemies, after which he committed suicide by drowning.... A fine French translation of the _Li-Sao_ has been made by the Marquis Hervey de Saint-Denys (Paris, 1870). LI-SHU.--The second of the six styles of Chinese writing, for an account of which see Williams's "Middle Kingdom." ... According to various Taoist legends, the decrees of Heaven are recorded in the "Seal-character," the oldest of all; and marks upon the bodies of persons killed by lightning have been interpreted as judgments written in it. The following extraordinary tale from the
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