all the sects
both of ancient and modern India." It still boasts two thousand
shrines, and half a million images of divinities. See also Sherring's
"Sacred City of the Hindoos."
KIANG-KOU-JIN.--Literally, the "tell-old-story-men." For a brief account
of Chinese professional story-tellers, the reader may consult Schlegel's
entertaining introduction to the _Mai-yu-lang-tou-tchen-hoa-kouei_.
KIN.--The most perfect of Chinese musical instruments, also
called "the Scholar's Lute." The word _kin_ also means "to prohibit";
and this name is said to have been given to the instrument because
music, according to Chinese belief, "_restrains evil passions, and
corrects the human heart_." See Williams's "Middle Kingdom."
KOUEI.--Kouei, musician to the Emperor Yao, must have held his
office between 2357 and 2277 B.C. The extract selected from one of his
songs, which I have given at the beginning of the "Story of Ming-Y," is
therefore more than four thousand years old. The same chant contains
another remarkable fancy, evidencing Chinese faith in musical magic:--
"When I smite my [_musical_] stone,--
Be it gently, be it strongly,--
Then do the fiercest beasts of prey leap high for joy.
And the chiefs among the public officials do agree among themselves."
KWANG-CHAU-FU.--Literally, "The Broad City,"--the name of
Canton. It is also called "The City of Genii."
LI.--A measure of distance. The length of the _li_ has varied
considerably in ancient and in modern times. The present is given by
Williams as ten _li_ to a league.
LI-SAO.--"The Dissipation of Grief," one of the most celebrated
Chinese poems of the classic period. It is said to have been written
about 314 B.C., by Kiu-ping-youen, minister to the King of Tsou. Finding
himself the victim of a base court-intrigue, Kiu-ping wrote the _Li-Sao_
as a vindication of his character, and as a rebuke to the malice of his
enemies, after which he committed suicide by drowning.... A fine French
translation of the _Li-Sao_ has been made by the Marquis Hervey de
Saint-Denys (Paris, 1870).
LI-SHU.--The second of the six styles of Chinese writing, for
an account of which see Williams's "Middle Kingdom." ... According to
various Taoist legends, the decrees of Heaven are recorded in the
"Seal-character," the oldest of all; and marks upon the bodies of
persons killed by lightning have been interpreted as judgments written
in it. The following extraordinary tale from the
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