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e to me, I assure you, in order to bring myself near to them. One must make sacrifices to obtain his ends: it is only to count the cost and then be ready to put down the money. Suppose you plant a house just here." "How could it be done?" "You an architect and ask me!" "Things can be planted anywhere," answered Leonhard, "but whether the cost of production will not be greater than the fruit is worth, is the question. You can have a platform built here as broad as that the temple stood on if you are willing to pay for the foundations." "That is the talk!" said Spener. "Take a square look, and let me know what you can do toward a house on the hillside. You see there is no end of raw material for building, and it is a perfect prospect. But come now to dinner." CAROLINE CHESEBRO. [TO BE CONTINUED.] COUNTRY-HOUSE LIFE IN ENGLAND. The love for country life is, if possible, stronger in England now than at any previous period in her history. There is no other country where this taste has prevailed to the same extent. It arose originally from causes mainly political. In France a similar condition of things existed down to the sixteenth century, and was mainly brought to an end by the policy of ministers, who dreaded the increasing power of petty princes in remote provinces becoming in combination formidable to the central power. It was specially the object of Richelieu and Mazarin to check this sort of baronial _imperium in imperio_, and it became in the time of Louis XIV the keystone of that monarch's domestic policy. This tended to encourage the "hanging on" of _grands seigneurs_ about the court, where many of the chief of them, after having exhausted their resources in gambling or riotous living, became dependent for place or pension on the Crown, and were in fact the creatures of the king and his minister. Of course this did not apply to all. Here and there in the broad area of France were to be found magnificent chateaux--a few of which, especially in Central France, still survive--where the marquis or count reigned over his people an almost absolute monarch. There is a passage in one of Horace Walpole's letters in which that virtuoso expresses his regret, after a visit to the ancestral "hotels" of Paris, whose contents had afforded him such intense gratification, that the nobility of England, like that of France, had not concentrated their treasures of art, etc. in London houses. Had he lived
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