t could pass and satisfy his curiosity to see once, at
least, the astonishing marvel of his reign.
During the latter years of her life, she took a fancy to young
Voltaire, in whom she detected signs of future greatness. She
fortified him with her counsel, which he prayed her to give him, and
left him a thousand francs in her will to buy books. Voltaire
attempted to earn the money by ridiculing the memory of his
benefactress.
At the age of ninety years, Mademoiselle de l'Enclos grew feebler
every day, and felt that death would not be long coming. She performed
all her social duties, however, until the very end, refusing to
surrender until compelled. On the last night of her life, unable to
sleep, she arose, and at her desk wrote the following verses:
"Qu'un vain espoir ne vienne point s'offrir,
Qui puisse ebranler mon courage;
Je suis en age de mourir;
Que ferais-je ici davantage?"
(Let no vain hope now come and try,
My courage strong to overthrow;
My age demands that I shall die,
What more can I do here below?)
On the seventeenth of October, 1706, she expired as gently as one who
falls asleep.
LETTERS
OF
NINON de L'ENCLOS
TO THE
MARQUIS de SEVIGNE.
INTRODUCTION TO LETTERS
The celebrated Abbe de Chateauneuf, in his "Dialogues on Ancient
Music," refers to Mademoiselle de l'Enclos under the name of
"Leontium," a name given her by le Marechal de Saint-Evremond, and in
his eulogy upon her character, lays great stress on the genius
displayed in her epistolary style. After censuring the affectation to
be found in the letters of Balzac and Voiture, the learned Abbe says:
"The letters of Leontium, although novel in their form of expression,
although replete with philosophy, and sparkling with wit and
intelligence contain nothing stilted, or overdrawn.
"Inasmuch as the moral to be drawn from them is always seasoned with
sprightliness, and the spirit manifested in them, displays the
characteristics of a liberal and natural imagination, they differ in
nothing from personal conversation with her choice circle of friends.
"The impression conveyed to the mind of their readers is, that she is
actually conversing with them personally."
Mademoiselle de l'Enclos writes about the heart, love, and women.
Strange subjects, but no woman ever lived who was better able to do
justice to them. In her frame of mind, she could not see men without
studying their dispositions, and she knew them
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