aving an inlaid copper centre representative
of the Firmament. The large flag you see drooping from the roof is
commemorative of the siege of Antwerp, being the one used by General
Chasse on that occasion, the various groups of smaller ones being
reminiscences of the eighty years' Spanish war and of Indian foes. Some
very beautiful examples of the sculptor's art are manifest, the
photographic work here introduced giving some idea of the exquisite
detail and most remarkable execution of Artus Quellin and his able
assistants.

Here you will observe an allegorical group denoting Plenty, Wisdom, and
Strength, typical of the City of Amsterdam. We had a little adventure in
securing views of this hall. At one end is a small gallery, used as the
mainstay for the temporary orchestra, which is erected on festal
occasions. Thinking our work could be better shown from that point, we
proceeded to it by a dark and winding staircase in the rear.

All went well for a time, but during a period of watchful quietude our
artist was suddenly and unexpectedly confronted with a gathering of rats
of anything but peaceable aspect. It was too much for him! He made a
wild rush for the staircase, which, being narrow and treacherous,
resulted in a too rapid descent, a very forcible alighting at the foot,
and a much bruised and shaken body.

For a few minutes we thought our photographic work would be closed for a
season; but when spirits and energies revived, we began to think of the
camera and the very long exposure plate up at the top; so up we went
again with much clattering commotion to warn our enemies of our
approach, and thus you have a view that one of our party will ever
regard as dearly obtained.

Note the extremely delicate crystal chandeliers, for these are quite a
feature in the Dutch Palaces; so graceful and handsome, and so unlike
the generality of heavily-constructed appendages one is accustomed to
behold. The other end of the hall has also some choice sculptured
marble, but unfortunately part of it is hidden by the before-mentioned
gallery. Could you obtain a clear view, you would see a figure of
Justice, with Ignorance and Quarrelsomeness crouched at her feet: on one
side a skeleton, and on the other Punishment. Above all is the figure of
Atlas supporting the globe.

Here I am given a full description of the appearance of this hall when
laid for the State banquet on the occasion of the somewhat recent visit
of the German Empe