II.

CHAPTER I.

Primitive character of the country in certain districts of Great
Britain.--Connection between the features of surrounding scenery and
the mental and moral inclinations of man, after the fashion of all
sound ethnological historians.--A charioteer, to whom an experience
of British laws suggests an ingenious mode of arresting the progress
of Roman Papacy, carries Lionel Haughton and his fortunes to a place
which allows of description and invites repose.

In safety, but with naught else rare enough, in a railway train, to
deserve commemoration, Lionel reached the station to which he was bound.
He there inquired the distance to Fawley Manor House; it was five miles.
He ordered a fly, and was soon wheeled briskly along a rough parish
road, through a country strongly contrasting the gay river scenery he
had so lately quitted,--quite as English, but rather the England of a
former race than that which spreads round our own generation like one
vast suburb of garden-ground and villas. Here, nor village nor spire,
nor porter's lodge came in sight. Rare even were the cornfields; wide
spaces of unenclosed common opened, solitary and primitive, on the road,
bordered by large woods, chiefly of beech, closing the horizon with
ridges of undulating green. In such an England, Knights Templars might
have wended their way to scattered monasteries, or fugitive partisans in
the bloody Wars of the Roses have found shelter under leafy coverts.

The scene had its romance, its beauty--half savage, half gentle--leading
perforce the mind of any cultivated and imaginative gazer far back from
the present day, waking up long-forgotten passages from old poets. The
stillness of such wastes of sward, such deeps of woodland, induced the
nurture of revery, gravely soft and lulling. There, Ambition might give
rest to the wheel of Ixion, Avarice to the sieve of the Danaids; there,
disappointed Love might muse on the brevity of all human passions, and
count over the tortured hearts that have found peace in holy meditation,
or are now stilled under grassy knolls. See where, at the crossing of
three roads upon the waste, the landscape suddenly unfolds, an upland
in the distance, and on the upland a building, the first sign of social
man. What is the building? only a silenced windmill, the sails dark and
sharp against the dull leaden sky.

Lionel touched the driver,--"Are we yet on Mr. Darrell's property?" Of
the