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sidio. No one, however, could contradict him, and as time went on, and nothing farther was heard of the neophyte, and the marauding at the mission became less, until it ceased altogether, his assertion came, in time, to be regarded as the true account of Pomponio's death. Note.--The writer has taken the liberty of altering the real facts of Pomponio's end. He was captured by a party of four soldiers, tried by court martial at Monterey, in February, and shot, about September, 1824. The period covered by the story, also, has been changed to three years later than the actual time of occurrence. It is surprising that Bancroft, from whose history the facts in this note are taken, does not mention Captain Duhaut-Cilly who, in his Voyage autour du Monde, Vol. II, Chap. XI, recounts Pomponio's self-mutilation in order to effect his escape. As Pomponio's execution occurred only three years before Duhaut-Cilly's visit, the French captain must have learned his facts with a close approach to accuracy, and it seems safe to take them without reserve. Bancroft affects to regard the main fact in this story with some incredulity, and limits the victim's manacles to one ankle only. Vide Bancroft: History of California, Vol. II, pp. 537-38. (2) "Un trait que les Anciens auraient divinisa." Duhaut-Cilly. Here end the Stories of the Old Missions of California as told by Charles Franklin Carter, decorated by William H. Wilke and put into book form by Paul Elder and Company at their Tomoye Press, San Francisco, under the careful direction of Ricardo J. Orozco, in the month of November, Nineteen Hundred and Seventeen. End of the Project Gutenberg EBook of Old Mission Stories of California, by Charles Franklin Carter *** END OF THIS PROJECT GUTENBERG EBOOK OLD MISSION STORIES OF CALIFORNIA *** ***** This file should be named 6506.txt or 6506.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/6/5/0/6506/ Produced by David Schwann Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copy
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