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er until he had filled and correctly spaced a line. Then he would set another line, and so on, all with his hands. After the job was completed, the type had to be distributed again, letter by letter. Typesetting was slow and expensive. This labor of typesetting was at last generally done away with by the invention of two intricate and ingenious machines. The linotype, the invention of Ottmar Mergenthaler of Baltimore, came first; then the monotype of Tolbert Lanston, a native of Ohio. The linotype is the favorite composing machine for newspapers and is also widely used in typesetting for books, though the monotype is preferred by book printers. One or other of these machines has today replaced, for the most part, the old hand compositors in every large printing establishment in the United States. While the machinery of the great newspapers was being developed, another instrument of communication, more humble but hardly less important in modern life, was coming into existence. The typewriter is today in every business office and is another of America's gifts to the commercial world. One might attempt to trace the typewriter back to the early seals, or to the name plates of the Middle Ages, or to the records of the British Patent Office, for 1714, which mention a machine for embossing. But it would be difficult to establish the identity of these contrivances with the modern typewriter. Two American devices, one of William Burt in 1829, for a "typographer," and another of Charles Thurber, of Worcester, Massachusetts, in 1843, may also be passed over. Alfred Ely Beach made a model for a typewriter as early as 1847, but neglected it for other things, and his next effort in printing machines was a device for embossing letters for the blind. His typewriter had many of the features of the modern typewriter, but lacked a satisfactory method of inking the types. This was furnished by S. W. Francis of New York, whose machine, in 1857, bore a ribbon saturated with ink. None of these machines, however, was a commercial success. They were regarded merely as the toys of ingenious men. The accredited father of the typewriter was a Wisconsin newspaperman, Christopher Latham Sholes, editor, politician, and anti-slavery agitator. A strike of his printers led him to unsuccessful attempts to invent a typesetting machine. He did succeed, however, in making, in collaboration with another printer, Samuel W. Soule, a numbering machine
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