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ce; but what can be urged in their defence, who, not having the vocation of poverty to scribble, out of mere wantonness take pains to make themselves ridiculous? Horace was certainly in the right, where he said, "That no man is satisfied with his own condition." A poet is not pleased, because he is not rich; and the rich are discontented, because the poets will not admit them of their number. Thus the case is hard with writers: If they succeed not, they must starve; and if they do, some malicious satire is prepared to level them, for daring to please without their leave. But while they are so eager to destroy the fame of others, their ambition is manifest in their concernment; some poem of their own is to be produced, and the slaves are to be laid flat with their faces on the ground, that the monarch may appear in the greater majesty. Dionysius and Nero had the same longings, but with all their power they could never bring their business well about. 'Tis true, they proclaimed themselves poets by sound of trumpet; and poets they were, upon pain of death to any man who durst call them otherwise. The audience had a fine time on't, you may imagine; they sat in a bodily fear, and looked as demurely as they could: for it was a hanging matter to laugh unseasonably; and the tyrants were suspicious, as they had reason, that their subjects had them in the wind; so, every man, in his own defence, set as good a face upon the business as he could. It was known beforehand that the monarchs were to be crowned laureates; but when the show was over, and an honest man was suffered to depart quietly, he took out his laughter which he had stifled, with a firm resolution never more to see an emperor's play, though he had been ten years a-making it. In the meantime the true poets were they who made the best markets: for they had wit enough to yield the prize with a good grace, and not contend with him who had thirty legions. They were sure to be rewarded, if they confessed themselves bad writers, and that was somewhat better than to be martyrs for their reputation. Lucan's example was enough to teach them manners; and after he was put to death, for overcoming Nero, the emperor carried it without dispute for the best poet in his dominions. No man was ambitious of that grinning honour; for if he heard the malicious trumpeter proclaiming his name before his betters, he knew there was but one way with him. Maecenas took another co
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