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The Project Gutenberg EBook of The Shape of Fear, by Elia W. Peattie This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Shape of Fear Author: Elia W. Peattie Posting Date: November 20, 2008 [EBook #1876] Release Date: September, 1999 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE SHAPE OF FEAR *** Produced by Judy Boss THE SHAPE OF FEAR AND OTHER GHOSTLY TALES By Elia Wilkinson Peattie Original Transcriber's Note: I have omitted signature indicators and italicization of the running heads. In addition, I have made the following changes to the text: PAGE LINE ORIGINAL CHANGED TO 156 1 where as were as 156 4 mouth mouth. 165 5 Wedgwood Wedgewood 166 9 Wedgwood Wedgewood 167 6 surperfluous superfluous 172 11 every ever 173 17 Bogg Boggs CONTENTS THE SHAPE OF FEAR ON THE NORTHERN ICE THEIR DEAR LITTLE GHOST A SPECTRAL COLLIE THE HOUSE THAT WAS NOT STORY OF AN OBSTINATE CORPSE A CHILD OF THE RAIN THE ROOM OF THE EVIL THOUGHT STORY OF THE VANISHING PATIENT THE PIANO NEXT DOOR AN ASTRAL ONION FROM THE LOOM OF THE DEAD A GRAMMATICAL GHOST THE SHAPE OF FEAR TIM O'CONNOR--who was descended from the O'Conors with one N---- started life as a poet and an enthusiast. His mother had designed him for the priesthood, and at the age of fifteen, most of his verses had an ecclesiastical tinge, but, somehow or other, he got into the newspaper business instead, and became a pessimistic gentleman, with a literary style of great beauty and an income of modest proportions. He fell in with men who talked of art for art's sake,--though what right they had to speak of art at all nobody knew,--and little by little his view of life and love became more or less profane. He met a woman who sucked his heart's blood, and he knew it and made no protest; nay, to the great amusement of the fellows who talked of art for art's sake, he went the length of marrying her. He could not in decency explain that he had the traditions of fine gent
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