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time that he was the Sleeper. He had to recall precisely what they had said. He walked into the bedroom and peered up through the quick intervals of the revolving fan. As the fan swept round, a dim turmoil like the noise of machinery came in rhythmic eddies. All else was silence. Though the perpetual day still irradiated his apartments, he perceived the little intermittent strip of sky was now deep blue--black almost, with a dust of little stars. He resumed his examination of the rooms. He could find no way of opening the padded door, no bell nor other means of calling for attendance. His feeling of wonder was in abeyance; but he was curious, anxious for information. He wanted to know exactly how he stood to these new things. He tried to compose himself to wait until someone came to him. Presently he became restless and eager for information, for distraction, for fresh sensations. He went back to the apparatus in the other room, and had soon puzzled out the method of replacing the cylinders by others. As he did so, it came into his mind that it must be these little appliances had fixed the language so that it was still clear and understandable after two hundred years. The haphazard cylinders he substituted displayed a musical fantasia. At first it was beautiful, and then it was sensuous. He presently recognized what appeared to him to be an altered version of the story of Tannhauser. The music was unfamiliar. But the rendering was realistic, and with a contemporary unfamiliarity. Tannhauser did not go to a Venusberg, but to a Pleasure City. What was a Pleasure City? A dream, surely, the fancy of a fantastic, voluptuous writer. He became interested, curious. The story developed with a flavour of strangely twisted sentimentality. Suddenly he did not like it. He liked it less as it proceeded. He had a revulsion of feeling. These were no pictures, no idealisations, but photographed realities. He wanted no more of the twenty-second century Venusberg. He forgot the part played by the model in nineteenth century art, and gave way to an archaic indignation. He rose, angry and half ashamed at himself for witnessing this thing even in solitude. He pulled forward the apparatus, and with some violence sought for a means of stopping its action. Something snapped. A violet spark stung and convulsed his arm and the thing was still. When he attempted next day to replace these Tannhauser cylinders by another pair, he found
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