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the north side where the windows of the Count's room looked over a little flower-garden abutting on the courtyard. The dusk was falling, and a lamp had been lit which gave a glimpse into the interior. The sick man was standing by the window, his figure flung into relief by the lamplight. If he was sick, his sickness was of a curious type. His face was ruddy, his eye wild, and, his wig being off, his scanty hair stood up oddly round his head. He seemed to be singing, but I could not catch the sound through the shut casement. Another figure in the room, probably Oliphant, laid a hand on the Count's shoulder, drew him from the window, and closed the shutter. It needed only the recollection of stories which were the property of all Europe to reach a conclusion on the gentleman's illness. The legitimate King of England was very drunk. As I went to my room that night I passed the Count's door. There stood Oliphant as sentry, more grim and haggard than ever, and I thought that his eye met mine with a certain intelligence. From inside the room came a great racket. There was the sound of glasses falling, then a string of oaths, English, French, and for all I know, Irish, rapped out in a loud drunken voice. A pause, and then came the sound of maudlin singing. It pursued me along the gallery, an old childish song, delivered as if 'twere a pot-house catch-- "Qu'est-ce qui passe ici si tard, Compagnons de la Marjolaine--" One of the late-going company of the Marjolaine hastened to bed. This king in exile, with his melancholy daughter, was becoming too much for him. III It was just before noon next day that the travellers arrived. I was sitting in the shady loggia of the inn, reading a volume of De Thou, when there drove up to the door two coaches. Out of the first descended very slowly and stiffly four gentlemen; out of the second four servants and a quantity of baggage. As it chanced there was no one about, the courtyard slept its sunny noontide sleep, and the only movement was a lizard on the wall and a buzz of flies by the fountain. Seeing no sign of the landlord, one of the travellers approached me with a grave inclination. "This is the inn called the Tre Croci, sir?" he asked. I said it was, and shouted on my own account for the host. Presently that personage arrived with a red face and a short wind, having ascended rapidly from his own cellar. He was awed by the dignity of the tra
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