at
the doors of all the innumerable chambers. There is one Pavilion at
Monblaisir which Aurelius Victor XV had arranged--a great Prince but
too fond of pleasure--and which I am told is a perfect wonder of
licentious elegance. It is painted with the story of Bacchus and
Ariadne, and the table works in and out of the room by means of a
windlass, so that the company was served without any intervention of
domestics. But the place was shut up by Barbara, Aurelius XV's widow,
a severe and devout Princess of the House of Bolkum and Regent of the
Duchy during her son's glorious minority, and after the death of her
husband, cut off in the pride of his pleasures.

The theatre of Pumpernickel is known and famous in that quarter of
Germany. It languished a little when the present Duke in his youth
insisted upon having his own operas played there, and it is said one
day, in a fury, from his place in the orchestra, when he attended a
rehearsal, broke a bassoon on the head of the Chapel Master, who was
conducting, and led too slow; and during which time the Duchess Sophia
wrote domestic comedies, which must have been very dreary to witness.
But the Prince executes his music in private now, and the Duchess only
gives away her plays to the foreigners of distinction who visit her
kind little Court.

It is conducted with no small comfort and splendour. When there are
balls, though there may be four hundred people at supper, there is a
servant in scarlet and lace to attend upon every four, and every one is
served on silver. There are festivals and entertainments going
continually on, and the Duke has his chamberlains and equerries, and
the Duchess her mistress of the wardrobe and ladies of honour, just
like any other and more potent potentates.

The Constitution is or was a moderate despotism, tempered by a Chamber
that might or might not be elected. I never certainly could hear of
its sitting in my time at Pumpernickel. The Prime Minister had
lodgings in a second floor, and the Foreign Secretary occupied the
comfortable lodgings over Zwieback's Conditorey. The army consisted of
a magnificent band that also did duty on the stage, where it was quite
pleasant to see the worthy fellows marching in Turkish dresses with
rouge on and wooden scimitars, or as Roman warriors with ophicleides
and trombones--to see them again, I say, at night, after one had
listened to them all the morning in the Aurelius Platz, where they
performed opposi