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t (The), 62 That Very Small (Political) Party, 143 Theatrical Novelties, 224 Thoughts on the Savage Lions of London, 38 Tight Blockade (The), 181 To Correspondents, 111 To Fight or not to Fight, 171 To Professor Faraday, 22 To the Noble Airl, 162 Trap to catch a Mooncalf (A), 132 Tremendous Effects of a Kiss, 153 Tricks, but not Honours, 231 Trouser Mind (The), 251 Trumpet of Battle (The), 158 Trumpet with a Cold (A), 266 Turtle Benevolent Association (The), 242 Two Portraits of the Czar, 206 UNPROTECTED Female in Want of a Cab (The), 57 Unevenhanded Justice, 266 "Upholsterer to the Monument" (The), 223 VEGETARIANS in the North, 73 Very Good of the Pope, 163 Vested Right, 137 Visit of the Thames and Medway to the Royal Commissioners, 235 "Vow of Poverty" (The), 176 WAITS to the Czar (The), 264 Walker, 113 Wanted, a Nobleman!, 61 Warning to Vegetarians (A), 113 Wash Wanted (A), 263 Waste of Sympathy (A), 49 "We never Sell Our Appointments", 93 What can the Police be About?, 50 What I Saw, Heard, and Thought, at Chobham, 32 What is a Cabman's Mile, 32, 69 What is Man? 201 What is the House of Keys? 34 What you may Hear in a Bell, 91 Where are the Russians? 218 Whiskey above Proof, 70 Whisper in the Ear of Nicholas (A), 77 Who sends all the Conscience-Money? 77 Whys for the Wise, 203 Wild Flowers from Canada, 33 Winchester Soup, 184 Witness on an Election Committee (A), 7 Woman's Elevation League (The), 52 Women's Rights--Men's Noses, 192 Wonders of the Deep, 67 "Woodman! Spare that Joke", 163 Words of Peace, 168 Words! words! words! 263 YACHT Signals, 183 [Illustration: END OF VOL XXV.] End of Project Gutenberg's Punch - Volume 25 (Jul-Dec 1853), by Various *** END OF THIS PROJECT GUTENBERG EBOOK PUNCH - VOLUME 25 (JUL-DEC 1853) *** ***** This file should be named 32352.txt or 32352.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/2/3/5/32352/ Produced by Neville Allen, Jonathan Ingram and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribut
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