be placed in every corner, and a marble bust of the young AUGUSTUS will
occupy the place of honour next to the grand piano, on which, will be
ranged the framed cabinet photographs of interesting young men. Each
photograph will bear upon it an appropriate inscription, announcing it
to be, for instance, a gift "From BOBBY to TODDLEKINS." Nothing more is
necessary for the perfect life of dilettantism, except to settle an
afternoon for tea, and an evening for music. When this is done the
Dilettante is complete.
It is curious, however, that although he aims at being considered a
poet, an artist, a dramatist, and a musical composer, the Dilettante
rather affects the society of those who are amateurs of imperfect
development, than of those who have attained fame by professional
effort. Yet since his nature is tolerant, he does not exclude the latter
from the scope of his benevolence, and they may occasionally be seen at
his parties, wondering how so strange a medley of second-rate
incompetencies can have been gathered together into one room.
It is noticeable, that the Dilettante loves the society of ladies, and
is not averse to encouraging amongst his intimates the belief, which
none of them holds though all express it, that he is in reality a
terrible fellow and much given to the destruction of domestic happiness.
He finds a sense of rest and security in fancying that he is suspected
of an intrigue. But it is somewhat remarkable, that the evil tongues
which make sad havoc of many unwilling reputations are very slow to
gratify the willing Dilettante in this respect. No Dilettante can be
considered genuine, unless he expresses a pitying contempt for
everything that is characteristically English, and for the unfortunate
English who are imbued with the prejudices of their native land. He
gives a practical expression to his scorn by quavering in a reedy voice,
the feeble _chansonnettes_ of an inferior French composer, and by
issuing a volume of poems in which the laws of English Grammar are
trampled under foot, and the restrictions of English metre are defied.
In his lyrical effusions he breathes the passionate desire of a great
soul for Love that is not of the earth. He aspires to the stars, and
invokes the memory of dead heroes, his intimates. He sets out to win
imperishable glory amidst the embattled ranks of his country's foes. He
lashes the cold and cruel heartlessness of the world with a noble scorn.
He addresses the ske
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