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circumstances. Thus his melancholy, being fictitious, remained generally subject in real life to his fine natural temperament, only gaining the mastery when he was under the influence of inspiration, and with pen in hand. "All is strange," says La Bruyere, "in the humor, morals, and manners of most men.... The wants of this life, the situation in which we are, necessity's law, force _nature, and cause great changes in it_. Thus such men can not be defined, thoroughly and in themselves; too many external things affect, change, and overwhelm them; they are not precisely what they are, or rather, what they appear to be." Thus, then, having a natural disposition for gayety received from God, and which I shall call _interior_, which always had the upper hand in all important actions of his life, but which was only truly known by those who approached him closely, I conclude that gayety often predominated, and ought to have predominated much more, in Lord Byron's life. But through the fictitious character, which I will call _exterior_, derived from _education, from circumstances of family, country, and association_, which (apparently) modified the first, and gave the world sometimes a reason, and sometimes a pretext for inventing that dark myth called by his name, _and which really only influenced his writings_, melancholy often predominated in his life. However, its sway was less in reality than in the imagination of those who wished to identify the man with the poet, and to find the real Lord Byron in the heroes of his early poems. FOOTNOTES: [Footnote 161: See the Introduction.] [Footnote 162: See chapter on "Generosity."] [Footnote 163: See chapter on "Friendships."] [Footnote 164: Ibid.] [Footnote 165: See chapter on "Love of Fame."] [Footnote 166: Dallas, vol. ii.] [Footnote 167: Moore, vol. i.] [Footnote 168: See Moore, 35th and 36th letters.] [Footnote 169: See "Childe Harold."] [Footnote 170: See Introduction.] [Footnote 171: "His lordship was in better spirits when I had met with some adventure, and he chuckled with an inward sense of enjoyment, not altogether without spleen, a kind of malicious satisfaction, as his companions recounted, with all becoming gravity, their woes and sufferings as an apology for begging a bed and a morsel for the night. God forgive! but I partook of Byron's levity at the idea of personages so consequential wandering destitute in the streets, seeking for
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