age of making her known, and of materially aiding her finances.
From the profits, she made settlement of her late husband's liabilities;
and now perceiving a likelihood of being able to support her family by
her literary exertions, she abandoned the lease of her farm. She took up
her residence near the town of Stirling, residing in the mansion of
Gartur, in that neighbourhood. In 1806, she again appeared before the
public as an author, by publishing a selection of her correspondence
with her friends, in three duodecimo volumes, under the designation of
"Letters from the Mountains." This work passed through several editions.
In 1808, Mrs Grant published the life of her early friend, Madame
Schuyler, under the designation of "Memoirs of an American Lady," in two
volumes.
From the rural retirement of Gartur, she soon removed to the town of
Stirling; but in 1810, as her circumstances became more prosperous, she
took up her permanent abode in Edinburgh. Some distinguished literary
characters of the Scottish capital now resorted to her society. She was
visited by Sir Walter Scott, Francis Jeffrey, James Hogg, and others,
attracted by the vivacity of her conversation. The "Essays on the
Superstitions of the Highlanders of Scotland" appeared in 1811, in two
volumes; in 1814, she published a metrical work, in two parts, entitled
"Eighteen Hundred and Thirteen;" and, in the year following, she
produced her "Popular Models and Impressive Warnings for the Sons and
Daughters of Industry."
In 1825, Mrs Grant received a civil-list pension of L50 a-year, in
consideration of her literary talents, which, with the profits of her
works and the legacies of several deceased friends, rendered the latter
period of her life sufficiently comfortable in respect of pecuniary
means. She died on the 7th of November 1838, in the eighty-fourth year
of her age, and retaining her faculties to the last. A collection of her
correspondence was published in 1844, in three volumes octavo, edited by
her only surviving son, John P. Grant, Esq.
As a writer, Mrs Grant occupies a respectable place. She had the happy
art of turning her every-day observation, as well as the fruits of her
research, to the best account. Her letters, which she published at the
commencement of her literary career, as well as those which appeared
posthumously, are favourable specimens of that species of composition.
As a poet, she attained to no eminence. "The Highlanders," her lon
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