plates, 116

Brent Church, pew ends in, 269, 304

Brier-wood, 51

Builder and carver, notes on the importance of cooperation between, 249

"Built-up" work, 214

Byzantine design, 96

"Candle," 56

Canopy, Font, 233, 268, 298

Canterbury Cathedral, carved figure from, 188, 275

Carpenter's imitation of stone construction, 223

Carpenter's influence on carver, 223

Cartoons, charcoal, 204

Carver and builder, notes on the importance of cooperation between, 249

Carver and joiner, reciprocal aims of, 161

Carving and sculpture, 249

Carving, architectural, 223

Carving, "chip," 63

Carving, heraldic, 176

Carving, Icelandic, 143

Carving, New Zealand, 63

Carving, Norse, 143

Carving, South Sea, 63

Carving, stone, 96, 223

Carving, Swiss, 191

Cedar wood, 166

Chair, sketch of, etc., 145

Character, works viewed as records of, 149

Charcoal cartoons, 204

Cherry wood, 51

Chest, carved, from York Cathedral, 147, 265, 273

Chestnut wood, 50

"Chip" carving, 63

Chisels, 31, 34, 35

Choir-screens, 227, 229, 267, 295

Choir-stalls at Winchester Cathedral, 227, 267, 293

Classical style, revival of, 249

Clay models, 191

Clips, 47

Clock, suggestion of design and carving for, 174

Clock case, suggestion of design and carving for, 170

Coats of arms, 176

Cock, suggestion for carving a, 174

Collotype plates, 273-304

Collotype plates, notes on the, 265

Colors noted on diagrams, 197, 199

Colors of woods, 48

Contours of surface, 103

Corner cupboards, 119

Cornice, design for, by Philip Webb, 268, 300

Craft schools, past and present, 240

Craftsmen, old-time and modern, 240

Cramps, 42, 47

Cross, design for, 177

Cupboards, corner, 119

Cutting, clearness of, 52, 69, 235

Design, 71, 88

Design, application of, 72

Design, Byzantine, 96

Design, factors in the arrangement of, 82

Design, outline, and suggestion of main masses, 191

"Designer" and "Executant," 88, 249

Designs, adaptation of old, to modern purposes, 103

Designs, humor in, 180

Designs, list of fruit, flower, and vegetable subjects, 159

Designs, necessity for every carver making his own, 88

Designs, transferring, 72

Detail, economy in, 84

Diagrams, colors noted on, 197, 199

Distance and light in design, 82

Drilling and sawing, 110

Duomo, the, at Florence, 257

Ebony wood, 51

Economy in detail, 84

Edges of tools, 52

Environment as