FREE BOOKS

Author's List




PREV.   NEXT  
|<   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   >>  
--The Two Styles in Conflict for a Time; their Respective Characteristics Reviewed--Carvers Become Dependent upon Architects and Painters--The "Revival" Separates "Designer" and "Executant." The prevailing architectural fashion of a time or country, known as its style, has generally been determined by the influence of more advanced nations on those of a ruder constitution; each modifying the imported style to suit its own climatic and social conditions, and imbuing it with its own individual temperament. The foreign idea was thus developed into a distinct and national style, which in its turn bore fruit, and was passed on as an initiative for other nations and new styles. The current of this influence, generally speaking, trended from east to west as though following the course of the sun, upon whose light it depended for the illumination of its beauties. There are so many styles of architecture, and consequently of carving, both in wood and other materials, that a history of such a subject would be a life study in itself, and be quite barren of results except those of a professional kind. It would include the characteristics of carvings from every country under the sun, from the earliest times known. Engravings on boars' tusks found in prehistoric caves, carvings on South Sea Island canoe paddles, Peruvian monstrosities of terror, the refined barbarity of India and China, the enduring and monumental efforts of Egyptian art, and a hundred others, down to times and countries more within reach. In fact, it would only be another name for a history of mankind from the beginning of the world. Nothing could be better for the student's purpose than to begin his studies of history at that point where the first indication of the Gothic or medieval period of architecture makes its appearance. For it was from this great and revolutionary change in the manner of building that all the subsequent variety of style in carving as well as building in medieval Europe took its origin. The first rudiments of the great school of art, which has been broadly classified as having a "Gothic" origin, began to make their appearance in Byzantium some three or four centuries after the birth of Christ. This city, said to have been founded by a colony of Greek emigrants, became the seat of Roman government in their eastern empire, and is now known as Constantinople: it contains a noted example of ancient art in the great church o
PREV.   NEXT  
|<   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   >>  



Top keywords:

history

 
origin
 

architecture

 

carving

 

nations

 

Gothic

 
influence
 
country
 

styles

 
medieval

appearance

 

generally

 

carvings

 

building

 

indication

 

purpose

 

student

 

studies

 
monumental
 

enduring


efforts

 

Egyptian

 

hundred

 

monstrosities

 
Peruvian
 

terror

 
refined
 

barbarity

 

mankind

 
beginning

Nothing

 

countries

 

Europe

 

colony

 

emigrants

 

founded

 
Christ
 

government

 

ancient

 

church


Constantinople

 

eastern

 

empire

 

variety

 
subsequent
 
paddles
 

manner

 

revolutionary

 
change
 

rudiments