t the sight of some odd occurences in
life, yet the very same occurrences shall please them in a well-told
story, where the disagreeable parts of the images are concealed, and
those only which are pleasing exhibited to the fancy. Story-telling is
therefore not an art, but what we call a "knack"; it doth not so much
subsist upon wit as upon humor; and I will add, that it is not perfect
without proper gesticulations of the body, which naturally attend
such merry emotions of the mind. I know very well that a certain
gravity of countenance sets some stories off to advantage, where the
hearer is to be surprized in the end. But this is by no means a
general rule; for it is frequently convenient to aid and assist by
cheerful looks and whimsical agitations.
I will go yet further, and affirm that the success of a story very
often depends upon the make of the body, and the formation of the
features, of him who relates it. I have been of this opinion ever
since I criticized upon the chin of Dick Dewlap. I very often had the
weakness to repine at the prosperity of his conceits, which made him
pass for a wit with the widow at the coffee-house and the ordinary
mechanics that frequent it; nor could I myself forbear laughing at
them most heartily, tho upon examination I thought most of them very
flat and insipid. I found, after some time, that the merit of his wit
was founded upon the shaking of a fat paunch, and the tossing up of a
pair of rosy jowls. Poor Dick had a fit of sickness, which robbed him
of his fat and his fame at once; and it was full three months before
he regained his reputation, which rose in proportion to his floridity.
He is now very jolly and ingenious, and hath a good constitution for
wit.
Those who are thus adorned with the gifts of nature, are apt to show
their parts with too much ostentation. I would therefore advise all
the professors of this art never to tell stories but as they seem to
grow out of the subject-matter of the conversation, or as they serve
to illustrate or enliven it. Stories that are very common are
generally irksome; but may be aptly introduced, provided they be only
hinted at, and mentioned by way of allusion. Those that are altogether
new, should never be ushered in without a short and pertinent
character of the chief persons concerned, because, by that means, you
may make the company acquainted with them; and it is a certain rule,
that slight and trivial accounts of those who are famil
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