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The Project Gutenberg eBook, The Craft of Fiction, by Percy Lubbock This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Craft of Fiction Author: Percy Lubbock Release Date: August 1, 2006 [eBook #18961] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK THE CRAFT OF FICTION*** E-text prepared by David Clarke, Sankar Viswanathan, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net/) THE CRAFT OF FICTION by PERCY LUBBOCK Jonathan Cape Eleven Gower Street, London First Published 1921. THE CRAFT OF FICTION I To grasp the shadowy and fantasmal form of a book, to hold it fast, to turn it over and survey it at leisure--that is the effort of a critic of books, and it is perpetually defeated. Nothing, no power, will keep a book steady and motionless before us, so that we may have time to examine its shape and design. As quickly as we read, it melts and shifts in the memory; even at the moment when the last page is turned, a great part of the book, its finer detail, is already vague and doubtful. A little later, after a few days or months, how much is really left of it? A cluster of impressions, some clear points emerging from a mist of uncertainty, this is all we can hope to possess, generally speaking, in the name of a book. The experience of reading it has left something behind, and these relics we call by the book's name; but how can they be considered to give us the material for judging and appraising the book? Nobody would venture to criticize a building, a statue, a picture, with nothing before him but the memory of a single glimpse caught in passing; yet the critic of literature, on the whole, has to found his opinion upon little more. Sometimes it is possible to return to the book and renew the impression; to a few books we may come back again and again, till they do in the end become familiar sights. But of the hundreds and hundreds of books that a critic would wish to range in his memory, in order to scrutinize and compare them reflectively, how many can he expect to bring into a state of reasonable stability? Few indeed, at the best; as for the oth
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