ur visits to the mound was at night."
Oh, silent mound! thy secret tell!
God's acre gazing toward the sky,
'Midst sombre shade 'neath angel's eye
Thou sleepest till the domesday knell.
Sweet leaflets, on the towering elms.
Oh whisper from your crested height!
Or have lost forests borne from sight
The secret to their buried realms?
Stay, babbling river, hurrying past,
Cans't thou, who saw'st the toilers build,
Not picture on thy bosom stilled,
Life-speaking shadows long since cast?
Or, echo, mocking us with sound,
Repeat the busy voice, we pray,
Of moiling thousands, now dull clay,
And waken up the gloom profound.
Pale, shimmering ghosts that flit around,
While spade and mattock death-fields glean,
Open with words from the unseen
The mysteries now in cerements bound.
No answer yet! We gaze in vain.
With lamp and lore let science come.
Now, clear eyed maiden!!--You, too, dumb!
Your light gone out!!--'tis night again.
And is this all? an earthen pot!
A broken spear! a copper pin!
Earth's grandest prizes counted in,
A burial mound!--the common lot!
Yes! this were all; but o'er the mound,
The stars, that fill the midnight sky,
Are eyes from Heaven that watch on high
Till domesday's thrilling life-note sound.
* * * * *
TRANSCRIBER'S NOTES
Page 9 (b): The following changes have been made from the original
text:
come changed to came (it came from a distant locality);
impliments changed to implements (crushed in by one of these
implements.)
Some paragraphs appear to end mid-sentence; however no text is missing
from the source document. The author chose to turn the end of those
sentences into paragraph headings.
***END OF THE PROJECT GUTENBERG EBOOK THE MOUND BUILDERS***
******* This file should be named 17987.txt or 17987.zip *******
This and all associated files of various formats will be found in:
http://www.gutenberg.org/dirs/1/7/9/8/17987
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and
|