ad of "the weaver Winter" the original has "the
frost's swift shuttles." Was the change an improvement?
244. A single crow: Note the effect of introducing this lone crow
into the bleak landscape.
250. It must not be forgotten that this old Sir Launfal is only in the
dream of the real Sir Launfal, who is still lying on the rushes within
his own castle. As the poor had often been turned away with cold,
heartless selfishness, so he is now turned away from his own "hard
gate."
251. Sate: The use of this archaic form adds to the antique flavor
of the poem. So with the use of the word "tree" for cross, in line 281
below. Lowell was passionately fond of the old poets and the quaint
language of the early centuries of English literature, and loved to
introduce into his own poetry words and phrases from these sources. Of
this habit he says:
"If some small savor creep into my rhyme
Of the old poets, if some words I use,
Neglected long, which have the lusty thews
Of that gold-haired and earnest-hearted time,
Whose loving joy and sorrow all sublime
Have given our tongue its starry eminence,--
It is not pride, God knows, but reverence
Which hath grown in me since my childhood's prime."
254. Recked: Cared for.
255. Surcoat: A long flowing garment worn over the armor, on which
was "emblazoned" the coat of arms. If the knight were a crusader, a
red cross was embroidered thus on the surcoat.
256. The sign: The sign of the cross, the symbol of humility and
love. This is the first real intimation, the keynote, of the
transformation that has taken place in Sir Launfal's soul.
259. Idle mail: Useless, ineffectual protection. This figure carries
us back to the "gilded mail," line 131, in which Sir Launfal "flashed
forth" at the beginning of his quest. The poem is full of these minor
antitheses, which should be traced by the student.
264-272. He sees, etc.: This description is not only beautiful in
itself, but it serves an important purpose in the plan of the poem. It
is a kind of condensation or symbolic expression of Sir Launfal's many
years of wandering in oriental lands. The hint or brief outline is
given, which must be expanded by the imagination of the reader.
Otherwise the story would be inconsistent and incomplete. Notice how
deftly the picture is introduced.
272. Signal of palms: A group of palm trees seen afar off over the
desert is a welcome signal of an oasis with water for t
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