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nor the second nor the third even that I have written to him of you, though I admire how in all those previous times I did it in pure disinterestedness, ... purely because your name belonged to my country and to her literature, ... and how I have a sort of reward at this present, in being able to write what I please without anyone's saying 'it is a new fancy.' As for the Americans, they have 'a zeal without knowledge' for poetry. There is more love for _verse_ among them than among the English. But they suffer themselves to be led in their choice of poets by English critics of average discernment; this is said of them by their own men of letters. Tennyson is idolized deep down in the bush woods (to their honour be it said), but to understand _you_ sufficiently, they wait for the explanations of the critics. So I wanted them to see what Landor says of you. The comfort in these questions is, that there can be _no_ question, except between the sooner and the later--a little sooner, and a little later: but when there is real love and zeal it becomes worth while to try to ripen the knowledge. They love Tennyson so much that the colour of his waistcoats is a sort of minor Oregon question ... and I like that--do not _you_? _Monday._--Now I have your letter: and you will observe, without a finger post from me, how busily we have both been preoccupied in disavowing our own letters of old on 'Ion'--Mr. Talfourd's collection goes to prove too much, I think--and you, a little too much, when you draw inferences of no-changes, from changes like these. Oh yes--I perfectly understand that every sort of inconstancy of purpose regards a 'presumably better' thing--but I do not so well understand how any presumable doubt is to be set to rest by that fact, ... I do not indeed. Have you seen all the birds and beasts in the world? have you seen the 'unicorns'?--Which is only a pebble thrown down into your smooth logic; and we need not stand by to watch the bubbles born of it. And as to the 'Ion' letters, I am delighted that you have anything to repent, as I have everything. Certainly it is a noble play--there is the moral sublime in it: but it is not the work of a poet, ... and if he had never written another to show what was _not_ in him, this might have been 'predicated' of it as surely, I hold. Still, it is a noble work--and even if you over-praised it, (I did not read your letter, though you read mine, alas!) you, under the circumstances
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