was among the Semites accordingly that
the first alphabet--in which the vowels were still wanting--was
invented. It was the Indians and Greeks who first independently
of each other and by very divergent methods created, out of the
Aramaean consonantal writing brought to them by commerce, a complete
alphabet by the addition of the vowels--which was effected by the
application of four letters, which the Greeks did not use as consonantal
signs, for the four vowels -a -e -i -o, and by the formation of a
new sign for -u --in other words by the introduction of the syllable
into writing instead of the mere consonant, or, as Palamedes says
in Euripides,

--Ta teis ge leitheis pharmak orthosas monos
Aphona kai phonounta, sullabas te theis,
Ezeupon anthropoisi grammat eidenai.--

This Aramaeo-Hellenic alphabet was accordingly brought to the
Italians through the medium, doubtless, of the Italian Hellenes;
not, however, through the agricultural colonies of Magna Graecia,
but through the merchants possibly of Cumae or Tarentum, by whom it
would be brought in the first instance to the very ancient emporia
of international traffic in Latium and Etruria--to Rome and Caere.
The alphabet received by the Italians was by no means the oldest
Hellenic one; it had already experienced several modifications,
particularly the addition of the three letters --"id:xi", --"id:phi",
--"id:chi" and the alteration of the signs for --"id:iota",
--"id:gamma", --"id:lambda".(11) We have already observed(12) that
the Etruscan and Latin alphabets were not derived the one from the
other, but both directly from the Greek; in fact the Greek alphabet
came to Etruria in a form materially different from that which
reached Latium. The Etruscan alphabet has a double sign -s (sigma
-"id:s" and san -"id:sh") and only a single -k,(13) and of the
-r only the older form -"id:P"; the Latin has, so far as we know,
only a single -s, but a double sign for -k (kappa -"id:k" and koppa
-"id:q") and of the -r almost solely the more recent form -"id:R".
The oldest Etruscan writing shows no knowledge of lines, and winds
like the coiling of a snake; the more recent employs parallel
broken-off lines from right to left: the Latin writing, as far as
our monuments reach back, exhibits only the latter form of parallel
lines, which originally perhaps may have run at pleasure from left
to right or from right to left, but subsequently ran among the Romans
in the former, and among t