The Project Gutenberg EBook of Their Silver Wedding Journey, Part III.
by William Dean Howells
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Title: Their Silver Wedding Journey, Part III.
Author: William Dean Howells
Release Date: October 23, 2004 [EBook #3373]
Language: English
Character set encoding: ASCII
*** START OF THIS PROJECT GUTENBERG EBOOK THEIR SILVER WEDDING ***
Produced by David Widger
THEIR SILVER WEDDING JOURNEY
By William Dean Howells
PART III.
XLVIII.
At the first station where the train stopped, a young German bowed
himself into the compartment with the Marches, and so visibly resisted an
impulse to smoke that March begged him to light his cigarette. In the
talk which this friendly overture led to between them he explained that
he was a railway architect, employed by the government on that line of
road, and was travelling officially. March spoke of Nuremberg; he owned
the sort of surfeit he had suffered from its excessive mediaevalism, and
the young man said it was part of the new imperial patriotism to cherish
the Gothic throughout Germany; no other sort of architecture was
permitted in Nuremberg. But they would find enough classicism at Ansbach,
he promised them, and he entered with sympathetic intelligence into their
wish to see this former capital when March told him they were going to
stop there, in hopes of something typical of the old disjointed Germany
of the petty principalities, the little paternal despotisms now extinct.
As they talked on, partly in German and partly in English, their purpose
in visiting Ansbach appeared to the Marches more meditated than it was.
In fact it was somewhat accidental; Ansbach was near Nuremberg; it was
not much out of the way to Holland. They took more and more credit to
themselves for a reasoned and definite motive, in the light of their
companion's enthusiasm for the place, and its charm began for them with
the drive from the station through streets whose sentiment was both
Italian and French, and where there was a yellowish cast in the gray of
the architecture which was almost Mantuan. They rested their
sensibilities, so bruised and fretted by Gothic angles and points,
against the smooth surfaces of the
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