of it, as a proof of your own merit, nor insult, in a manner, other
companies by telling them affectedly what you, Montesquieu and Fontenelle
were talking of the other day; as I have known many people do here, with
regard to Pope and Swift, who had never been twice in company with
either; nor carry into other companies the 'ton' of those meetings of
'beaux esprits'. Talk literature, taste, philosophy, etc., with them, 'a
la bonne heure'; but then, with the same ease, and more 'enjouement',
talk 'pom-pons, moires', etc., with Madame de Blot, if she requires it.
Almost every subject in the world has its proper time and place; in which
no one is above or below discussion. The point is, to talk well upon the
subject you talk upon; and the most trifling, frivolous subjects will
still give a man of parts an opportunity of showing them. 'L'usage du
grand monde' can alone teach that. That was the distinguishing
characteristic of Alcibiades, and a happy one it was, that he could
occasionally, and with so much ease, adopt the most different, and even
the most opposite habits and manners, that each seemed natural to him.
Prepare yourself for the great world, as the 'athletae' used to do for
their exercises: oil (if I may use that expression) your mind and your
manners, to give them the necessary suppleness and flexibility; strength
alone will not do, as young people are too apt to think.
How do your exercises go on? Can you manage a pretty vigorous 'sauteur'
between the pillars? Are you got into stirrups yet? 'Faites-vous assaut
aux armes? But, above all, what does Marcel say of you? Is he satisfied?
Pray be more particular in your accounts of yourself, for though I have
frequent accounts of you from others, I desire to have your own too.
Adieu. Yours, truly and friendly.
LETTER CXL
LONDON, May 2, O. S. 1751
DEAR FRIEND: Two accounts, which I have very lately received of you, from
two good judges, have put me into great spirits, as they have given me
reasonable hopes that you will soon acquire all that I believe you want:
I mean the air, the address; the graces, and the manners of a man of
fashion. As these two pictures of you are very unlike that which I
received, and sent you some months ago, I will name the two painters: the
first is an old friend and acquaintance of mine, Monsieur d'Aillon. His
picture is, I hope, like you; for it is a very good one: Monsieur
Tollot's is still a better, and so advantageous a one,
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